My Own True Ghost Story As I came through the Desert thus it was—As I came through the Desert. The City of Dreadful Night. Somewhere in the Other World, where there are books and pictures and plays and shop windows to look at, and thousands of men who spend their lives in building up all four, lives a gentleman who writes real stories about the real insides of people; and his name is Mr. Walter... more...

INTRODUCTION. The special subject of the greater part of the letters and essays of Schiller contained in this volume is Aesthetics; and before passing to any remarks on his treatment of the subject it will be useful to offer a few observations on the nature of this topic, and on its treatment by the philosophical spirit of different ages. First, then, aesthetics has for its object the vast realm of the... more...

INTRODUCTION This Supplement is designed to supply a double need: it furnishes an analytical index to the entire series of twenty volumes; and it affords a great deal of additional information, bearing on the subject-matter of these volumes, but which from its very nature it was impossible to incorporate in the text. This additional information includes biographical sketches of the characters mentioned... more...

Panic roused him—the black imp of panic that lived under the garish rug of this unfamiliar room and crawled out at dawn to nudge him awake and stare from the blank space to his left where Tillie's gray head should have been. His fists clenched in anger—at himself. He'd never been the sort to make allowance for his own weakness and didn't propose to begin doing so now, at age... more...

CHAPTER I. THE INTRODUCTION OF AIRCRAFT INTO MILITARY OPERATIONS It is a curious circumstance that an invention, which is hailed as being one of the greatest achievements ever recorded in the march of civilisation, should be devoted essentially to the maiming of humanity and the destruction of property. In no other trend of human endeavour is this factor so potently demonstrated as in connection with... more...

JEAN JACQUES ROUSSEAU THE MAN TO WHOM EXPRESSION WAS TRAVAIL From the "Confessions of Rousseau." It is strange to hear that those critics who spoke of Rousseau's "incomparable gift of expression," of his "easy, natural style," were ludicrously incorrect in their allusions. From his "Confessions" we learn that he had no gift of clear, fluent expression; that he was... more...

DR. NIKOLA The manager of the new Imperial Restaurant on the Thames Embankment went into his luxurious private office and shut the door. Having done so, he first scratched his chin reflectively, and then took a letter from the drawer in which it had reposed for more than two months and perused it carefully. Though he was not aware of it, this was the thirtieth time he had read it since breakfast that... more...

We had had so many office-boys before Gallegher came among us that they had begun to lose the characteristics of individuals, and became merged in a composite photograph of small boys, to whom we applied the generic title of "Here, you"; or "You, boy." We had had sleepy boys, and lazy boys, and bright, "smart" boys, who became so familiar on so short an acquaintance that we were... more...

Preface The author has had in mind a two-fold purpose in the preparation of this book. First, it is hoped that it may serve as a text or reference book for collegiate students of plant science who are seeking a proper foundation upon which to build a scientific knowledge of how plants grow. The late Dr. Charles E. Bessey, to whom I owe the beginning of my interest in plant life, once said to me:... more...

I. THE TITLE AND PURPOSE OF THIS BOOK My book, "How to Appreciate Music," in the chapter devoted to the pianoforte, contains a paragraph relating to the Pianola and its influence in popularizing music and stimulating musical taste. I confess that before I started that paragraph I was puzzled to know what term to use in designating the instrument I had in mind. "Mechanical piano-player"... more...