CHAPTER FIRST    "I never saw an eye so bright,     And yet so soft as hers;   It sometimes swam in liquid light,     And sometimes swam in tears;   It seemed a beauty set apart     For softness and for sighs."                                 —MRS. WELBY. The school-room at Roselands was a very pleasant apartment; the ceiling, it is... more...

CAUGHT IN THE EBBING TIDE A REMINISCENCE OF RAXTOX CLIFFS The mightiest Titan's stroke could not withstand  An ebbing tide like this. These swirls denote  How wind and tide conspire. I can but floatTo the open sea and strike no more for land.Farewell, brown cliffs, farewell, beloved sand  Her feet have pressed—farewell, dear little boat  Where Gelert,[Footnote] calmly sitting on my... more...

APRIL 8, 1914. "Mr. Asquith Cleans the Slate." Daily Chronicle. The pity is that so many of his followers seem to prefer to slate the clean. Even The Nation is not quite satisfied with the Government, and has been alluding to "the extreme slackness of Cabinet methods," and complains that "situations are not thought out beforehand." The Government, apparently, is now taking the... more...

The early days of the literary career of Robert Louis Stevenson can hardly be said to have been entirely devoid of recognition, though it would appear doubtful if the world at large was willing to recognize his abilities had it not been for his wonderful personality; with a soul and an imagination far above those of his early associates he gradually drew around him the respect and admiration of that... more...

In narrating these few episodes in the undulatory, not to say switchback, career of my friend Aristide Pujol, I can pretend to no chronological sequence. Some occurred before he (almost literally) crossed my path for the first time, some afterwards. They have been related to me haphazard at odd times, together with a hundred other incidents, just as a chance tag of association recalled them to his... more...

CHAPTER I. NATURE IN TRAVAIL. "I say, professor?" "Very well, Waldo; proceed." "Wonder if this isn't a portion of the glorious climate, broken loose from its native California, and drifting up this way on a lark?" "If so, said lark must be roasted to a turn," declared the third (and last) member of that little party, drawing a curved forefinger across his forehead,... more...

I The stage on which we play our little dramas of life and love has for most of us but one setting. It is furnished out with approximately the same things. Characters come, move about and make their final exits through long-familiar doors. And the back drop remains approximately the same from beginning to end. Palace or hovel, forest or sea, it is the background for the moving figures of the play. So... more...

ACT ONE SCENE: A Room in the Church Tower. Window shutters at back wide open, starlit sky is seen through windows. Background: Snow covered house-roofs; gable windows in the distance brilliantly illuminated. In room an old chair, a fire-pan and a picture of the Virgin, with a lighted candle before it. Room is divided by posts—two in centre thick enough to conceal an adult. Chant, in unison, from the... more...

CHAPTER I. A POOR START. "Give it to him, Terry—that's the style!" "Punch his head!" "Hit him in the face, Mike!" "Good for you, Terry—that was a daisy!" "Stick to him, me hearty; ye'll lick him yet!" The shouts came from a ring of ragged, dirty youngsters, who were watching with intense excitement a hand-to-hand and foot-to-foot fight between two... more...

FIGHTING SHRIMPLIN Custer felt it his greatest privilege to sit of a Sunday morning in his mother's clean and burnished kitchen and, while she washed the breakfast dishes, listen to such reflections as his father might care to indulge in. On these occasions the senior Shrimplin, commonly called Shrimp by his intimates, was the very picture of unconventional ease-taking as he lolled in his chair... more...