INTRODUCTION. The Rowe-Tonson edition of Shakespeare's plays (1709) is an important event in the history of both Shakespeare studies and English literary criticism. Though based substantially on the Fourth Folio (1685), it is the first, "edited" edition: Rowe modernized spelling and punctuation and quietly made a number of sensible emendations. It is the first edition to include dramatis... more...

She was one of those girls who have become much more common of late years among the upper-middle classes, the comfortably fixed classes, than they have ever been since the aristocracy left off marrying Italian prime-donne. You know the type of English beauty, so often insisted on, say, twenty years ago—placid, fair, gentle, blue-eyed, fining into distinction in Lady Clara Vere de Vere? Always she was... more...

CHAPTER ITHERE was not a person in Old Chester less tainted by the vulgarity of secretiveness than Miss Lydia Sampson. She had no more reticence than sunshine or wind, or any other elemental thing. How much of this was due to conditions it would be hard to say; certainly there was no "reticence" in her silence as to her neighbors' affairs; she simply didn't know them! Nobody ever... more...

PREFACE. The publishers of these letters have requested me to write a preface. In vain I have told them, that if prefaces have not gone out of date, the sooner they do, the better it will be for the public; in vain I have despairingly suggested that there must be something which would serve their purpose, kept in type at their printers, commencing, "At the request of—perhaps too... more...

CHAPTER I. 'Thou shalt have no other gods before me.' 'Mother,' said little Effie Maurice, on a Sabbath evening in winter, 'Mr L—— said to-day that we are all in danger of breaking the first commandment,—do you think we are?' 'Did not Mr L. give you his reasons for thinking so?' 'Yes, mother.' 'Didn't you think he gave good... more...

PREFACE. 'The last fruit off an old tree!' This, in the words of Walter Savage Landor, is what I have now the honour to set before the public in these hitherto 'Uncollected Writings of Thomas De Quincey.' It was my privilege to be associated intimately with the Author some thirty to forty years ago—from the beginning of 1850 until his death in 1859. Throughout the whole period... more...

I "I guess my daughter's in here," the old man said leading the way into the little salon de lecture. He was not of the most advanced age, but that is the way George Flack considered him, and indeed he looked older than he was. George Flack had found him sitting in the court of the hotel—he sat a great deal in the court of the hotel—and had gone up to him with characteristic directness... more...

FRENCH LITERATURE. Of French literature, taken as a whole, it may boldly be said that it is, not the wisest, not the weightiest, not certainly the purest and loftiest, but by odds the most brilliant and the most interesting, literature in the world. Strong at many points, at some points triumphantly strong, it is conspicuously weak at only one point,—the important point of poetry. In eloquence, in... more...

GETTING OUT. "If you belong to any of the following classes," said the Demobilisation advertisement, "do nothing." So Lieut. William Smith did nothing. After doing nothing for some weeks he met a friend who said, "Hallo, aren't you out yet?" "Not yet," said William, looking at his spurs. "Well, you ought to do something." So Lieut. William Smith decided to... more...

CRITICAL AND HISTORICAL ESSAYS Darwin's theory that music had its origin “in the sounds made by the half-human progenitors of man during the season of courtship” seems for many reasons to be inadequate and untenable. A much more plausible explanation, it seems to me, is to be found in the theory of Theophrastus, in which the origin of music is attributed to the whole range of human emotion.... more...