She was one of those girls who have become much more common of late years among the upper-middle classes, the comfortably fixed classes, than they have ever been since the aristocracy left off marrying Italian prime-donne. You know the type of English beauty, so often insisted on, say, twenty years ago—placid, fair, gentle, blue-eyed, fining into distinction in Lady Clara Vere de Vere? Always she was the heroine, and her protagonist, the...
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