ACT I SCENE—Living-room of CURTIS JAYSON'S house in Bridgetown, Conn. A large, comfortable room. On the left, an arm-chair, a big open fireplace, a writing desk with chair in far left corner. On this side there is also a door leading into CURTIS' study. In the rear, center, a double doorway opening on the hall and the entryway. Bookcases are built into the wall on both sides of this... more...

To the Senate and House of Representatives: It gives me pleasure to extend greeting to the Fifty-fifth Congress, assembled in regular session at the seat of Government, with many of whose Senators and Representatives I have been associated in the legislative service. Their meeting occurs under felicitous conditions, justifying sincere congratulation and calling for our grateful acknowledgment to a... more...

CHAPTER I. THE LITTLE COLOUR GRINDER T was a bright morning of early April, many hundred years ago; and through all the fields and meadows of Normandy the violets and cuckoo-buds were just beginning to peep through the tender green of the young grass. The rows of tall poplar-trees that everywhere, instead of fences, served to mark off the farms of the country folk, waved in thespring wind like great,... more...

THE HAVRE MARITIME EXHIBITION. The Havre Maritime Exhibition opened on the 7th of May. Will this exhibition awaken general interest, or will it prove a local affair simply? This is a secret of the weeks that are to follow. Should nothing chance to discourage the general interest that surrounds Havre, to dampen the enthusiasm of the public, or to act to the prejudice of the exhibitors, whose very... more...

I LIFE OF STEVENSON Robert Louis Stevenson[1] was born at Edinburgh on the 13 November 1850. His father, Thomas, and his grandfather, Robert, were both distinguished light-house engineers; and the maternal grandfather, Balfour, was a Professor of Moral Philosophy, who lived to be ninety years old. There was, therefore, a combination of Lux et Veritas in the blood of young Louis Stevenson, which in Dr.... more...

PREFACE TO THE LIVES I am aware that it is commonly held as a fact by most writers that sculpture, as well as painting, was naturally discovered originally by the people of Egypt, and also that there are others who attribute to the Chaldeans the first rough carvings of statues and the first reliefs. In like manner there are those who credit the Greeks with the invention of the brush and of colouring.... more...

The researches of Sir Harris Nicolas, Dr. Furnivall, Mr. Selby and others have provided us with a considerable mass of detailed information regarding the life and career of Geoffrey Chaucer. Since the publication of Nicolas's biography of the poet prefixed to the Aldine edition of Chaucer's works in 1845, the old traditional biography of conjecture and inference, based often on mere... more...

GENERAL INTRODUCTION. The circumstances under which these pages came to be written are rather peculiar. I am in favor of church unity, and I had thought of writing something that would tend to bring the churches into closer harmony. I am persuaded that their unity of doctrine is greater than is usually supposed; I endeavored to make this apparent by citing a long list of doctrines on which the churches... more...

INTRODUCTION. Thomas De Quincey is one of the eccentric figures in English literature. Popularly he is known as the English Opium-Eater and as the subject of numerous anecdotes which emphasize the oddities of his temperament and the unconventionality of his habits. That this man of distinguished genius was the victim—pitifully the victim—of opium is the lamentable fact; that he was morbidly shy and... more...

A Hero and A Great Man They say knowledge is power.Power walks with ambition.Ambition will devourA man without vision. Through a turbid town,A great man walks.Through a troubled town,A great man talks. He tells tales of bravery.On attention he feeds.With speech most savoryHe boasts of great deeds. He is well respected.He enjoys much recognition.He hopes to be selectedFor a prestigious position. He... more...