A DEAL IN WHEAT I. THE BEAR—WHEAT AT SIXTY-TWO As Sam Lewiston backed the horse into the shafts of his backboard and began hitching the tugs to the whiffletree, his wife came out from the kitchen door of the house and drew near, and stood for some time at the horse's head, her arms folded and her apron rolled around them. For a long moment neither spoke. They had talked over the situation so... more...

CHAPTER I A WONDERFUL STORY "Well, what do you think of it, Mark?" asked Jack Darrow, as he laid aside a portion of a newspaper, covered with strange printed characters. "Great; isn't it?" "You don't mean to tell me that you believe that preposterous story, do you, Jack?" And Mark Sampson looked across the table at his companion in some astonishment. "Oh, I... more...

CHAPTER I LISBETH LONGFROCK GOES TO HOEL FARM Bearhunter, the big, shaggy old dog at Hoel Farm, sat on the stone step in front of the house, looking soberly around the spacious dooryard. It was a clear, cold winter's day toward the beginning of spring, and the sun shone brightly over the glittering snow. In spite of the bright sunshine, however, Bearhunter would have liked to be indoors much... more...

A. A-, prefix (1), adding intensity to the notion of the verb.—AS. á for ar-, ar-, Goth. us-. For the quantity of the á see Sievers, 121. Cf. . A-, prefix (2), standing for A, prep., and for Icel. á; see . A-, prefix (3), standing for Of, prep.; see . A-, prefix (4), standing for AS. and-, against, in return, toward.—AS. and-, ond-, on- (proclitic). Cf. A-, prefix (5), standing for At, prep.,... more...

THE TROJAN WOMEN In his clear preface, Gilbert Murray says with truth that The Trojan Women, valued by the usage of the stage, is not a perfect play. "It is only the crying of one of the great wrongs of the world wrought into music." Yet it is one of the greater dramas of the elder world. In one situation, with little movement, with few figures, it flashes out a great dramatic lesson, the... more...

SECTION I. PRINCIPLES OF ART. 1. Perfect taste is the faculty of receiving the greatest possible pleasure from those material sources which are attractive to our moral nature in its purity and perfection; but why we receive pleasure from some forms and colours, and not from others, is no more to be asked or answered than why we like sugar and dislike wormwood. 2. The temper by which right taste is... more...

Every Sabbath morning in the summer time I thrust back the curtain, to watch the sunrise stealing down a steeple, which stands opposite my chamber-window. First, the weathercock begins to flash; then, a fainter lustre gives the spire an airy aspect; next it encroaches on the tower, and causes the index of the dial to glisten like gold, as it points to the gilded figure of the hour. Now, the loftiest... more...

CHAPTER I Between the smoke-darkened walls of the mountain cabin still murmured the last echoes of the pistol's bellowing, and it seemed a voice of everlasting duration to the shock-sickened nerves of those within. First it had thundered with the deafening exaggeration of confined space, then its echo had beaten against the clay-chink wall timbers and rolled upward to the rafters. Now, dwindled to... more...

On that summer day the sky over New York was unflecked by clouds, and the air hung motionless, the waves of heat undisturbed. The city was a vast oven where even the sounds of the coiling traffic in its streets seemed heavy and weary under the press of heat that poured down from above. In Washington Square, the urchins of the neighborhood splashed in the fountain, and the usual midday assortment of... more...

In Two Parts. It was in the year 1854 that an English gentleman named Edward Luttrell took up his abode in a white-walled, green-shuttered villa on the slopes of the western Apennines. He was accompanied by his wife (a Scotchwoman and an heiress), his son (a fine little fellow, five years old), and a couple of English servants. The party had been travelling in Italy for some months, and it was the heat... more...