CHAPTER I--THE PROBLEM FOR THE FINE ARTS Art in Italy and Greece—The Leading Phase of Culture—Æsthetic Type of Literature—Painting the Supreme Italian Art—Its Task in the Renaissance—Christian and Classical Traditions—Sculpture for the Ancients—Painting for the Romance Nations—Mediæval Faith and Superstition—The Promise of Painting—How far can the Figurative Arts express Christian... more...

CHAPTER I. MRS. JUDSON'S BIRTH, EDUCATION, AND CONVERSION. When an individual attains a position of eminence which commands the admiration of the world, we naturally seek to learn his early history, to ascertain what indications were given in childhood of qualities destined to shine with such resplendent lustre, and to discover the kind of discipline which has developed powers so extraordinary.... more...

CHAPTER I. Two years of service in the Zouaves had wrought a change in Anastase Gouache, the painter. He was still a light man, nervously built, with small hands and feet, and a delicate face; but constant exposure to the weather had browned his skin, and a life of unceasing activity had strengthened his sinews and hardened his compact frame. The clustering black curls were closely cropped, too, while... more...

EARLY HISTORY "I have lived much that I have not written, but I have written nothing that I have not lived." It was a little blue-eyed girl of ten who sat on a low hassock at my feet, slowly drawing the soft auburn curls between her fingers, when, suddenly lifting her head and looking me earnestly in the face, she exclaimed: "What is the Red Cross? Please tell me about it; I can not... more...

I. IN A GARDEN "I wonder what makes Nick so late?" Carmen Gaylor thought, hovering in the doorway between the dim, cool hall and the huge veranda that was like an out-of-doors drawing-room. Though she spoke English well—almost as well as if she had not been born in Spain and made her greatest successes in the City of Mexico—Carmen thought in Spanish, for her heart was Spanish, and her... more...

CHAPTER I INTRODUCTORY REFLECTIONS The bursting of a thunderstorm is preceded by certain definite phenomena in the atmosphere. The electric currents separate, and the storm is the result of atmospheric tension which can no longer be repressed. Whether or no we become aware of these happenings through outward signs, whether the clouds appear to us more or less threatening, nothing can alter the fact... more...

CHAPTER I HOW MY SOLITUDE CAME TO AN END "Justice, O God, upon mine enemy. For the pain I suffer, may I see him suffer; for the anguish that is mine, so may I watch his agony! Thou art a just God, so, God of Justice, give to me vengeance!" And having spoken this, which had been my prayer for three weary years, I composed myself to slumber. But even so, I started up broad awake and my every... more...

PROLOGUE. The sun was going down on the Black Spur Range. The red light it had kindled there was still eating its way along the serried crest, showing through gaps in the ranks of pines, etching out the interstices of broken boughs, fading away and then flashing suddenly out again like sparks in burnt-up paper. Then the night wind swept down the whole mountain side, and began its usual struggle with... more...

CHAPTER I. OF FIDDLE MORD. There was a man named Mord whose surname was Fiddle; he was the son of Sigvat the Red, and he dwelt at the "Vale" in the Rangrivervales. He was a mighty chief, and a great taker up of suits, and so great a lawyer that no judgments were thought lawful unless he had a hand in them. He had an only daughter, named Unna. She was a fair, courteous and gifted woman, and that... more...

DANTE. [Jan. 1850.] The Divina Commedia is one of the landmarks of history. More than a magnificent poem, more than the beginning of a language and the opening of a national literature, more than the inspirer of art, and the glory of a great people, it is one of those rare and solemn monuments of the mind's power, which measure and test what it can reach to, which rise up ineffaceably and for ever... more...