Scene: A plantation of thin young trees, in a misty and rainy twilight; some woodland blossom showing the patches on the earth between the stems. The Stranger is discovered, a cloaked figure with a pointed hood. His costume might belong to modern or any other time, and the conical hood is so drawn over the head that little can be seen of the face. A distant voice, a woman's, is heard,... more...

PREFACE This book contains the substance, and for the most part the words, of a course of public lectures delivered during the first three months of 1919. The original division into lectures has been dropped, the matter being more conveniently redivided into chapters. The audience to whom the lectures were delivered was composed of members of the general public, and not only of students. For the most... more...

CHAPTER I. Origin of Pantomime. From the beginning of all time there has been implanted in the human breast the Dramatic instinct full of life and of vigour, and finding undoubtedly its outlet, in the early days of civilization, if not in the Dramatic Art then in the poetry of motion with that necessary and always essential concomitant of both—Pantomime. Indeed, of the Terpsichorean Art, it has been... more...

Eddie Hibbs reported for work and was almost immediately called out on an emergency. It was the third morning in succession for emergencies. This time a section of distribution cable had blown in West Los Angeles. Blown cable was routine, but each instance merited the attention of an assistant underground supervisor. Eddie climbed down the manhole with the foreman of the maintenance crew. There were... more...

a few preliminary remarks Alexandre Dumas, père, after writing five hundred novels, says, "I wish to close my literary career with a book on cooking." And in the hundred pages or so of preface—or perhaps overture would be the better word, since in it a group of literary men, while contributing recondite recipes, flourish trumpets in every key—to his huge volume he says, "I wish to be... more...

CHAPTER I It was a terrible shock to me (said the Scoutmaster as he fingered a beaded buckskin bag). Old Blink Broosmore was responsible. It was a malicious thing for him to do. He meant it to be mean, too,—wanted to hurt me,—to wound my feelings and make me ashamed. And all because he nursed a grudge against dad—I mean Mr. Crawford. It started because of that defective spark-plug in the engine... more...

n other eras he might have been described as swacked, stewed, stoned, smashed, crocked, cockeyed, soused, shellacked, polluted, potted, tanked, lit, stinko, pie-eyed, three sheets in the wind, or simply drunk. In his own time, Major Joseph Mauser, Category Military, Mid-Middle Caste, was drenched. Or at least rapidly getting there. He wasn't happy about it. It wasn't that kind of a binge. He... more...

CHAPTER IA HUNTING PARTY IN THE YEAR 1666 Before we cross the Kiralyhago, let us cast a parting glance at Hungary. I will unroll before your eyes a scene, partly the result of an adverse fate, partly of a dark mystery, representing joy and also deep sorrow. An incident of a moment becomes the turning-point of a whole century. My soul is saddened by the images thus conjured up; the figures out of the... more...

It all began when the new bookkeeping machine of a large Midwestern coffin manufacturer slipped a cog, or blew a transistor, or something. It was fantastic that the error—one of two decimal places—should enjoy a straight run of okays, human and mechanical, clear down the line; but when the figures clacked out at the last clacking-out station, there it was. The figures were now sacred; immutable;... more...

CRITICAL INTRODUCTION Domi mansit, lanam fecit: "He remained at home and wrote," is the first thing that should be said of Gustave Flaubert. This trait, which he shares with many of the writers of his generation,—Renan, Taine, Leconte de Lisle and Dumas fils,—distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and... more...