CHAPTER I--THE PROBLEM FOR THE FINE ARTS Art in Italy and Greece—The Leading Phase of Culture—Æsthetic Type of Literature—Painting the Supreme Italian Art—Its Task in the Renaissance—Christian and Classical Traditions—Sculpture for the Ancients—Painting for the Romance Nations—Mediæval Faith and Superstition—The Promise of Painting—How far can the Figurative Arts express Christian... more...

CHAPTER I. MRS. JUDSON'S BIRTH, EDUCATION, AND CONVERSION. When an individual attains a position of eminence which commands the admiration of the world, we naturally seek to learn his early history, to ascertain what indications were given in childhood of qualities destined to shine with such resplendent lustre, and to discover the kind of discipline which has developed powers so extraordinary.... more...

CHAPTER I. Two years of service in the Zouaves had wrought a change in Anastase Gouache, the painter. He was still a light man, nervously built, with small hands and feet, and a delicate face; but constant exposure to the weather had browned his skin, and a life of unceasing activity had strengthened his sinews and hardened his compact frame. The clustering black curls were closely cropped, too, while... more...

I. IN A GARDEN "I wonder what makes Nick so late?" Carmen Gaylor thought, hovering in the doorway between the dim, cool hall and the huge veranda that was like an out-of-doors drawing-room. Though she spoke English well—almost as well as if she had not been born in Spain and made her greatest successes in the City of Mexico—Carmen thought in Spanish, for her heart was Spanish, and her... more...

CHAPTER I HOW MY SOLITUDE CAME TO AN END "Justice, O God, upon mine enemy. For the pain I suffer, may I see him suffer; for the anguish that is mine, so may I watch his agony! Thou art a just God, so, God of Justice, give to me vengeance!" And having spoken this, which had been my prayer for three weary years, I composed myself to slumber. But even so, I started up broad awake and my every... more...

CHAPTER I. OF FIDDLE MORD. There was a man named Mord whose surname was Fiddle; he was the son of Sigvat the Red, and he dwelt at the "Vale" in the Rangrivervales. He was a mighty chief, and a great taker up of suits, and so great a lawyer that no judgments were thought lawful unless he had a hand in them. He had an only daughter, named Unna. She was a fair, courteous and gifted woman, and that... more...

Here I am at the end of the railroad, waiting to begin my two-days' wagon-trip across the mountains. But the school wagon has not arrived,—my landlady says it is delayed by a "tide" in the creeks. By way of cheering me, she has just given a graphic account of the twenty-year-old feud for which this small town is notorious, and has even offered to take me around and show me, on walls,... more...

CHAPTER I A PRIVATE LESSON FROM A BULLDOG. "Want to be a school-master, do you? You? Well, what would you do in Flat Crick deestrick, I'd like to know? Why, the boys have driv off the last two, and licked the one afore them like blazes. You might teach a summer school, when nothin' but children come. But I 'low it takes a right smart man to be school-master in Flat Crick in the... more...

I Hegel says somewhere that that great historic facts and personages recur twice. He forgot to add: "Once as tragedy, and again as farce." Caussidiere for Danton, Louis Blanc for Robespierre, the "Mountain" of 1848-51 for the "Mountain" of 1793-05, the Nephew for the Uncle. The identical caricature marks also the conditions under which the second edition of the eighteenth... more...

Chapter 21 A Section in My Biography IN due course I got my license. I was a pilot now, full fledged. I dropped into casual employments; no misfortunes resulting, intermittent work gave place to steady and protracted engagements. Time drifted smoothly and prosperously on, and I supposed—and hoped—that I was going to follow the river the rest of my days, and die at the wheel when my mission was... more...