PREFACE The title of this series, "Makers of Canada," seemed to impose on the writer the obligation to devote special attention to the part played by George Brown in fashioning the institutions of this country. From this point of view the most fruitful years of his life were spent between the time when the Globe was established to advocate responsible government, and the time when the provinces... more...

VOICES OF THE NIGHT <Greek poem here—Euripides.> PRELUDE. Pleasant it was, when woods were green,  And winds were soft and low,To lie amid some sylvan scene.Where, the long drooping boughs between,Shadows dark and sunlight sheen  Alternate come and go; Or where the denser grove receives  No sunlight from above,But the dark foliage interweavesIn one unbroken roof of leaves,Underneath whose... more...

THE MERMAID OF ZENNOR Carved on one of the pews in the church of Zennor in West Cornwall is a strange figure of a mermaid. Depicted with flowing hair, a mirror in one hand and a comb in the other, the Zennor folk tell a strange story about her. Years and years ago, they say, a beautiful and richly dressed lady used to attend the church sometimes. Nobody knew where she came from, although her unusual... more...

THE CONFLICT. The pyramids, temples and palaces of Thebes are monuments of the ancient intellects of our race. Great thinkers only were capable of giving to the world the Vedas, the Apollo Belvidere and the Parthenon. The arts and astronomy of Egypt harmonize very poorly with the idea that modern scientists have all the wisdom and intelligence known in the history of the ages. Among the wonderful... more...

INTRODUCTION Experience, this greatest of all teachers, will undoubtedly have convinced many of my readers that the most delightful voyage is only capable of maintaining its charms when made amidst congenial fellow-travelers. The grandest scenes can be fully enjoyed and duly appreciated when viewed through an atmosphere of physical comfort. Thus, in order to demonstrate the accuracy of the assertion:... more...

CHAPTER FIRST. THE LANDSCAPE OF THE STORY. I see old Sylvester Peabody—the head of the Peabody family—seated in the porch of his country dwelling, like an ancient patriarch, in the calm of the morning. His broad-brimmed hat lies on the bench at his side, and his venerable white locks flow down his shoulders, which time in one hundred seasons of battle and sorrow, of harvest and drouth, of toil and... more...

THE COMING OF THE STORKIT was always a puzzle to the little girl how the stork that brought her ever reached the lonely Dakota farm-house on a December afternoon without her being frozen; and it was another mystery, just as deep, how the strange bird, which her mother said was no larger than a blue crane, was able, on leaving, to carry her father away with him to some family, a long, long distance off,... more...

His Early Years To Italy, at whose liberal well-head English Art has so often renewed itself, we turn naturally for an opening to this chronicle of a great English artist's career. Frederic Leighton was the painter of our time who strove hardest to keep alive an Italian ideal of beauty in London; therefore it is in Italy, the Italy of Raphael and Angelo and his favourite Giotteschi, that we must... more...

CHAPTER I. THE ASTRONOMICAL OBSERVATORY. Early Astronomical Observations—The Observatory of Tycho Brahe—The Pupil of the Eye—Vision of Faint Objects—The Telescope—The Object-Glass—Advantages of Large Telescopes—The Equatorial—The Observatory—The Power of a Telescope—Reflecting Telescopes—Lord Rosse's Great Reflector at Parsonstown—How the mighty Telescope is... more...

INTRODUCTION In the first decade of the eighteenth century, with comedy in train to be altered out of recognition to please the reformers and the ladies, one of the two talented writers who attempted to keep the comic muse alive in something like her "Restoration" form was Thomas Baker.[1] Of Baker's four plays which reached the stage, none has been reprinted since the eighteenth century... more...