PART ONE FOREWORD: In this strange story of another day, the author has "dipped into the future" and viewed with his mind's eye the ultimate effect of America's self-satisfied complacency, and her persistent refusal to heed the lessons of Oriental progress. I can safely promise the reader who takes up this unique recital of the twentieth century warfare, that his interest will be... more...

[3] THE very finest flower of the same company—Aurelius with the gilded fasces borne before him, a crowd of exquisites, the empress Faustina herself, and all the elegant blue-stockings of the day, who maintained, people said, their private "sophists" to whisper philosophy into their ears winsomely as they performed the duties of the toilet—was assembled again a few months later, in a... more...

CHAPTER I. It is my purpose to set down what I saw during such time as Simon Kenton gave me my first lessons in woodcraft and it is well to make the statement in advance in order that others may be deprived of the opportunity of saying what would sound disagreeable:—that the pupil was for a time so dull that one less patient and painstaking than Kenton would have brought the lessons to a speedy... more...

CHAPTER IEY Towards the close of the year 1744 there landed at Madras, as writer in the service of the East India Company, a young Englishman just entering the twentieth year of his existence, named Robert Clive. The earlier years of the life of this young man had not been promising. Born at Styche, near Market Drayton, in Shropshire, he had been sent, when three years old, to be cared for and educated... more...

ACT I [SCENE.--A room furnished comfortably and tastefully, but not extravagantly. At the back, a door to the right leads to the entrance-hall, another to the left leads to Helmer's study. Between the doors stands a piano. In the middle of the left-hand wall is a door, and beyond it a window. Near the window are a round table, arm-chairs and a small sofa. In the right-hand wall, at the farther... more...

CHAPTER I SYMPATHY AND SELFISHNESS The girl who was dying lay in an invalid chair piled up with cushions in a sheltered corner of the lawn. The woman who had come to visit her had deliberately turned away her head with a murmured word about the sunshine and the field of buttercups. Behind them was the little sanitarium, a gray stone villa built in the style of a château, overgrown with creepers, and... more...

ACT ISCENE I Madame Pernelle and her servant Flipote, Elmire, Mariane, Dorine, Damis, Cleante Mme. Pernelle.  Let's go, Flipote, let's go. I hate this place. Elmire.  I can't keep up, you rush at such a pace. Mme. Pernelle.  Peace, my dear, peace; come no farther.I don't wish to cause you any bother. Elmire.  What duty demands, I insist on giving.But, mother, what has caused... more...

PREFACE. No class of works is received with more suspicion, I had almost said derision, than those which deal with Science and Religion. Science is tired of reconciliations between two things which never should have been contrasted; Religion is offended by the patronage of an ally which it professes not to need; and the critics have rightly discovered that, in most cases where Science is either pitted... more...

INTRODUCING TERRY PATTEN It was through the Patterson-Pratt forgery case that I first made the acquaintance of Terry Patten, and at the time I should have been more than willing to forego the pleasure. Our firm rarely dealt with criminal cases, but the Patterson family were long standing clients, and they naturally turned to us when the trouble came. Ordinarily, so important a matter would have been... more...

INTRODUCTION The Histoire des Treize consists—or rather is built up—of three stories: Ferragus or the Rue Soly, La Duchesse de Langeais or Ne touchez-paz a la hache, and La Fille aux Yeux d'Or. To tell the truth, there is more power than taste throughout the Histoire des Treize, and perhaps not very much less unreality than power. Balzac is very much better than Eugene Sue, though Eugene Sue... more...