There was a dizzy, sickening whirl of mental blackness—not true blackness, but a mind-enveloping darkness that was filled with the multi-colored little sparks of thoughts and memories that scattered through the darkness like tiny glowing mice, fleeing from something unknown, fleeing outwards and away toward a somewhere that was equally unknown; scurrying, moving, changing—each half recognizable as... more...

Rembrandt's Etching Technique: An Example A Rembrandt print in the collection of the Smithsonian Institution has been made the subject of a study of the artist's etching technique. The author is associate curator, division of graphic arts, in the Smithsonian Institution's Museum of History and Technology. All footnotes appear at the end of this paper. Rembrandt's print, Landscape... more...

CHAPTER I FATHERLESS Lad stood looking out of the dormer window in a scantily furnished attic in the high-pitched roof of a house in Holborn, in September 1664. Numbers of persons were traversing the street below, many of them going out through the bars, fifty yards away, into the fields beyond, where some sports were being held that morning, while country people were coming in with their baskets from... more...

THE LAST CARD Mr. Brinsmade and the Doctor were the first to leave the little room where Silas Whipple had lived and worked and died, Mr. Brinsmade bent upon one of those errands which claimed him at all times. He took Shadrach with him. Virginia sat on, a vague fear haunting her,—a fear for her father's safety. Where was Clarence? What had he seen? Was the place watched? These questions, at... more...

I Little George was making hills of sand in one of the walks; he took it up with both his hands, made it into a pyramid, and then put a chestnut leaf on the top, and his father, sitting on an iron chair was looking at him with concentrated and affectionate attention, and saw nobody but him in that small public garden which was full of people. All along the circular road other children were occupied in... more...

INTRODUCTORY WHAT IS THE SALVATION ARMY? If this question were put to the ordinary person of fashion or leisure, how would it be answered? In many cases thus: 'The Salvation Army is a body of people dressed up in a semi-military uniform, or those of them who are women, in unbecoming poke bonnets, who go about the streets making a noise in the name of God and frightening horses with brass bands. It... more...

CHAPTER I. ORIGIN OF COATS OF ARMS. Heraldry is the science which teaches how to blazon or describe in proper terms armorial bearings and their accessories. Many volumes have been written on the origin of Heraldry and even on the antiquity of separate charges contained in an escutcheon: it would be filling the pages of an elementary work on Heraldry to little purpose to enter upon an inquiry as to the... more...

                          DIARY OF SAMUEL PEPYS.                             FEBRUARY & MARCH                                1668-1669 February 1st. Up, and by water from the Tower to White Hall, the first time that I have gone to that end of the town by water, for two or three months, I think, since I kept a... more...

Herbert Hyrel settled himself more comfortably in his easy chair, extended his short legs further toward the fireplace, and let his eyes travel cautiously in the general direction of his wife. She was in her chair as usual, her long legs curled up beneath her, the upper half of her face hidden in the bulk of her personalized, three-dimensional telovis. The telovis, of a stereoscopic nature, seemingly... more...

CHAPTER I STYLE IN PEN DRAWING Art, with its finite means, cannot hope to record the infinite variety and complexity of Nature, and so contents itself with a partial statement, addressing this to the imagination for the full and perfect meaning. This inadequation, and the artificial adjustments which it involves, are tolerated by right of what is known as artistic convention; and as each art has its... more...