ACT I The SCENE is the pretty drawing-room of a flat. There are two doors, one open into the hall, the other shut and curtained. Through a large bay window, the curtains of which are not yet drawn, the towers of Westminster can be seen darkening in a summer sunset; a grand piano stands across one corner. The man-servant PAYNTER, clean-shaven and discreet, is arranging two tables for Bridge. BURNEY, the... more...

ACT I SCENE I The scene is a well-lighted, and large, oak-panelled hall, with an air of being lived in, and a broad, oak staircase. The dining-room, drawing-room, billiard-room, all open into it; and under the staircase a door leads to the servants' quarters. In a huge fireplace a log fire is burning. There are tiger-skins on the floor, horns on the walls; and a writing-table against the wall... more...

ACT I It is Ascension Day in a village of the West. In the low panelled hall-sittingroom of the BURLACOMBE'S farmhouse on the village green, MICHAEL STRANGWAY, a clerical collar round his throat and a dark Norfolk jacket on his back, is playing the flute before a very large framed photograph of a woman, which is the only picture on the walls. His age is about thirty-five his figure thin and very... more...

ACT I SCENE I The curtain rises on the BARTHWICK'S dining-room, large, modern, and well furnished; the window curtains drawn. Electric light is burning. On the large round dining-table is set out a tray with whisky, a syphon, and a silver cigarette-box. It is past midnight. A fumbling is heard outside the door. It is opened suddenly; JACK BARTHWICK seems to fall into the room. He stands holding by... more...

ACT I SCENE I The study of JOHN BUILDER in the provincial town of Breconridge. A panelled room wherein nothing is ever studied, except perhaps BUILDER'S face in the mirror over the fireplace. It is, however, comfortable, and has large leather chairs and a writing table in the centre, on which is a typewriter, and many papers. At the back is a large window with French outside shutters, overlooking... more...

I Part of a densely grown garden; on the right benches; at the back a rail fence, separating the garden from a field. SCENE I Enter NÁDYA and LÍZA NÁDYA. No, LГѓ­za, don't say that: what comparison could there be between country and city life! LÍZA. What is there so specially fine about city life? NÁDYA. Well, everything is different there; the people themselves, and even the whole... more...

TRIFLES First performed by the Provincetown Players at the Wharf Theatre, Provincetown, Mass., August 8, 1916.   GEORGE HENDERSON (County Attorney) HENRY PETERS (Sheriff) LEWIS HALE, A neighboring farmer MRS PETERS MRS HALE   SCENE: The kitchen is the now abandoned farmhouse of JOHN WRIGHT, a gloomy kitchen, and left without having been put in order—unwashed pans under the sink, a loaf of bread... more...

CHAPTER I INTRODUCTORY There are no rules for writing a play. It is easy, indeed, to lay down negative recommendations--to instruct the beginner how not to do it. But most of these "don'ts" are rather obvious; and those which are not obvious are apt to be questionable. It is certain, for instance, that if you want your play to be acted, anywhere else than in China, you must not plan it in... more...

CHAPTER I There was no denying the fact that Honor Carmody liked the boys. No one ever attempted to deny it, least of all Honor herself. When she finished grammar school her mother and her gay young stepfather told her they had decided to send her to Marlborough rather than to the Los Angeles High School. The child looked utterly aghast. "Oh," she said, "I wouldn't like that at all. I... more...

The Supreme Literary Gift When we have been reading some transcendent passage in one of the world's masterpieces we experience that mental sensation which Longinus declares to be the test of true sublimity, to wit, our mind "undergoes a kind of proud elation and delight, as if it had itself begotten the thing we read." We are disposed by such literature very much as we are disposed by the... more...