INVADERS Russ Evans, Pilot 3497, Rocket Squad Patrol 34, unsnapped his seat belt, and with a slight push floated "up" into the air inside the weightless ship. He stretched himself, and yawned broadly. "Red, how soon do we eat?" he called. "Shut up, you'll wake the others," replied a low voice from the rear of the swift little patrol ship. "See anything?"... more...

It wasn't much of a bump. The shock absorbers of the liquid-smooth convertible neutralized all but a tiny percent of the jarring impact before it could reach the imported English flannel seat of Coulter's expensively-tailored pants. But it was sufficient to jolt him out of his reverie, trebly induced by a four-course luncheon with cocktails and liqueur, the nostalgia of returning to a... more...

Now first translated into English. This play is to be regarded merely as a dramatic narrative in which, for the purpose of tracing out the innermost workings of the soul, advantage has been taken of the dramatic method, without otherwise conforming to the stringent rules of theatrical composition, or seeking the dubious advantage of stage adaptation. It must be admitted as somewhat inconsistent that... more...

CHAPTER I. MARY'S LETTERS RECEIVED AT CLEAR SPRING FARM. One morning in early spring, John Landis, a Pennsylvania German farmer living in Schuggenhaus Township, Bucks County, on opening his mail box, fastened to a tree at the crossroads (for the convenience of rural mail carriers) found one letter for his wife Sarah, the envelope addressed in the well-known handwriting of her favorite niece, Mary... more...

ACT I The SCENE is the Italian Room in ROSCOE CROSBY'S Home in New York. It is a handsome room. A plan of the setting will be found at the end of the play. As the curtain rises Miss HELEN O'NEILL and WILLIAM CROSBY are discovered standing R.C. They are in each other's arms, and the rising curtain discloses them as they kiss. The window blinds are drawn. HELEN. I love you so. WILLIAM. You... more...

INTRODUCTION The Editor begs the reader to believe that he under took the compilation of this volume with diffidence and trepidation, lest by any defect of judgment he might do aught to diminish the reputation which John Clare has always enjoyed with the lovers of pastoral poetry. He trusts that the shortcomings of an unskilful workman will be forgotten in admiration of the gems for which he has been... more...

CHAPTER I A long level of dull gray that further away became a faint blue, with here and there darker patches that looked like water. At times an open space, blackened and burnt in an irregular circle, with a shred of newspaper, an old rag, or broken tin can lying in the ashes. Beyond these always a low dark line that seemed to sink into the ground at night, and rose again in the morning with the first... more...

HOW TWO LAY IN A CLEFT A girl and a boy lay in a cubby-hole in the north side of the cliff overlooking Port Gorey, and watched the goings-on down below. The sun was tending towards Guernsey and the gulf was filled witn golden light. A small brig, unkempt and dirty, was nosing towards the rough wooden landing-stage clamped to the opposite rocks, as though doubtful of the advisability of attempting its... more...

In the waiting windless dark, Lewis Stillman pressed into the building-front shadows along Wilshire Boulevard. Breathing softly, the automatic poised and ready in his hand, he advanced with animal stealth toward Western, gliding over the night-cool concrete, past ravaged clothing shops, drug and ten-cent stores, their windows shattered, their doors ajar and swinging. The city of Los Angeles, painted in... more...

CHAPTER I The day had opened so brightly, in such a welcome wave of April sunshine, that by mid-afternoon there were two hundred players scattered over the links of the Long Island Country Club at Belvedere Bay; the men in thick plaid stockings and loose striped sweaters, the women's scarlet coats and white skirts making splashes of vivid color against the fresh green of grass and the thick... more...