The Settlers at Home. Two hundred years ago, the Isle of Axholme was one of the most remarkable places in England. It is not an island in the sea. It is a part of Lincolnshire—a piece of land hilly in the middle, and surrounded by rivers. The Trent runs on the east side of it; and some smaller rivers formerly flowed round the rest of it, joining the Humber to the north. These rivers carried down a... more...

I. USES OF GREAT MEN. It is natural to believe in great men. If the companions of our childhood should turn out to be heroes, and their condition regal, it would not surprise us. All mythology opens with demigods, and the circumstance is high and poetic; that is, their genius is paramount. In the legends of the Gautama, the first men ate the earth, and found it deliciously sweet. Nature seems to exist... more...

CHAPTER I BROWNING AND TENNYSON Parnassus, Apollo's mount, has two peaks, and on these, for sixty years, from 1830 to 1890, two poets sat, till their right to these lofty peaks became unchallenged. Beneath them, during these years, on the lower knolls of the mount of song, many new poets sang; with diverse instruments, on various subjects, and in manifold ways. They had their listeners; the Muses... more...

When the adventurers reassembled upon the roof it was found that a remarkably queer assortment of articles had been selected by the various members of the party. No one seemed to have a very clear idea of what was required, but all had brought something. The Woggle-Bug had taken from its position over the mantle-piece in the great hallway the head of a Gump, which was adorned with wide-spreading... more...

LECTURE I. INAUGURAL Wednesday, January 29, 1913 In all the long quarrel set between philosophy and poetry I know of nothing finer, as of nothing more pathetically hopeless, than Plato's return upon himself in his last dialogue 'The Laws.' There are who find that dialogue (left unrevised) insufferably dull, as no doubt it is without form and garrulous. But I think they will read it with... more...

I. In Ypres JULY, 1915. My mouth does not get so dry as once it did, I notice, when walking in from Suicide Corner to the Cloth Hall. There I was this summer day, in Ypres again, in a silence like a threat, amid ruins which might have been in Central Asia, and I, the last man on earth, contemplating them. There was something bumping somewhere, but it was not in Ypres, and no notice is taken in Flanders... more...

INTRODUCTION "Let the child imbibe in the full spirit of play. There is nothing like it to keep him on the path of health, right thinking and mind development." That is the guiding purpose of the author. The reader will find in this book a collection of old and present day games. The student of Play has long realized that there are no new games, that all our games of today are built on the old... more...

PREFACE In this little book the writer has aimed to present, in brief and simple form, sound principles which may assist the young in deciding their future course of life. The subject of vocation, as it is called, has suffered much, during the last two or three centuries, at the hands of rigorist authors, who so hedged the approach to religious life with difficulties and restrictions, as to frighten or... more...

CHAPTER I Craftsmanship in Teaching I "In the laboratory of life, each newcomer repeats the old experiments, and laughs and weeps for himself. We will be explorers, though all the highways have their guideposts and every bypath is mapped. Helen of Troy will not deter us, nor the wounds of Cæsar frighten, nor the voice of the king crying 'Vanity!' from his throne dismay. What wonder that... more...

Sir Walter Scott transmitted from Naples, in February, 1832, an Introduction for CASTLE DANGEROUS; but if he ever wrote one for a second Edition of ROBERT OF PARIS, it has not been discovered among his papers. Some notes, chiefly extracts from the books which he had been observed to consult while dictating this novel, are now appended to its pages; and in addition to what the author had given in the... more...