CHAPTER I INTRODUCTORY The most interesting and important fifteen years in the records of English dramatic literature are undoubtedly those between 1588 and 1603, within which limit all of Shakespeare's poems and the majority of his plays were written; yet no exhaustive English history, intelligently co-ordinating the social, literary, and political life of this period, has ever been written.... more...

I. Insomnia, the lack of "tired Nature's sweet restorer," is rapidly becoming the chronic terror of all men of active life who have passed the age of thirty-five or forty years. In early life, while yet he "wears the rose of youth upon him," man rarely, except in sickness, knows the want of sound, undreaming sleep. But as early manhood is left behind and the cares and perplexities... more...

PREFACE When I was invited to reprint in book-form the articles which had appeared in the Genealogical Magazine under the titles of "Shakespeare's Family" and the "Warwickshire Ardens," I carefully corrected them, and expanded them where expansion could be made interesting. Thus to the bald entries of Shakespeare's birth and burial I added a short life. Perhaps never before... more...

At the Mermaid. Thus Raleigh, thus immortal Sidney shone (Illustrious names!) in great Eliza's days. --Thos. Edwardes.   The numberless diamond-shaped window panes of the Mermaid Tavern are twinkling like so many stars in the chill December air of London. It is the last meeting of the Mermaid Club for the year 1596, and not a member is absent. As they drop in by twos and threes and gather in... more...

LIFE OF SHAKESPEARE. Shakespeare, by general suffrage, is the greatest name in literature. There can be no extravagance in saying, that to all who speak the English language his genius has made the world better worth living in, and life a nobler and diviner thing. And even among those who do not "speak the tongue that Shakespeare spake," large numbers are studying the English language mainly... more...

INTRODUCTION. When a small impression of these quaint old books issued from the Chiswick Press, many years ago, under the auspices of the late Mr. S. W. Singer, that gentleman merely designed the copies struck off for presentation to a select circle of literary friends who, like himself, felt a warm interest in every relic of the past which helped to illustrate Shakespeare and ancient English manners.... more...

I I Without "the living comment and interpretation of the theatre," Shakespeare's work is, for the rank and file of mankind, "a deep well without a wheel or a windlass." It is true that the whole of the spiritual treasures which Shakespeare's dramas hoard will never be disclosed to the mere playgoer, but "a large, a very large, proportion of that indefinite all" may be... more...

SHAKESPEARE AND PRECIOUS STONES So wide is the range of the immortal verse of Shakespeare, and so many and various are the subjects he touched upon and adorned with the magic beauty of his poetic imagery, that it will be of great interest to refer to the allusions to gems and precious stones in his plays and poems. These allusions are all given in the latter part of this volume. What can we learn from... more...

DESCRIPTION OF FRONTISPIECE     [I am indebted for the arrangement of this picture to the kindness of the authorities at South Kensington Museum, where all these instruments may be found, except the Pipe and Cornet, which belong to my friend, Mr W.F.H. Blandford.] In the middle, on table. Queen Elizabeth's 'Virginal.' Date, latter half of 16th century. Outside of case (not visible in... more...

THE GOOD OLD TIMES. It is recorded of John Lowin, an actor contemporary with Shakespeare and associated with several of Shakespeare's greater characters (his range was so wide, indeed, that it included Falstaff, Henry the Eighth, and Hamlet), that, having survived the halcyon days of "Eliza and our James" and lingered into the drab and russet period of the Puritans, when all the theatres... more...