CHAPTER I TRYING OUT THE NEW BIPLANE "I tell you, Elephant, it's the Bird boys, and nobody else!" "But they had a monoplane last summer, Larry; and you can see for yourself it's a biplane out yonder over the lake. So that's why I thought it must be Percy Carberry and his crony, Sandy Hollingshead." "Shucks! stir up your think-box, Elephant. Get a move on your mind,... more...

INTRODUCTION Any ordinary, active man, provided he has reasonably good eyesight and nerve, can fly, and fly well. If he has nerve enough to drive an automobile through the streets of a large city, and perhaps argue with a policeman on the question of speed limits, he can take himself off the ground in an airplane, and also land—a thing vastly more difficult and dangerous. We hear a great deal about... more...

PREFACE IN the daily life of the ordinary man, a life crowded with diverse interests and increasingly complex demands, some few moments of a busy week or month or year are accorded to an interest in art. Whatever may be his vocation, the man feels instinctively that in his total scheme of life books, pictures, music have somewhere a place. In his own business or profession he is an expert, a man of... more...

THE FRANCO-AMERICAN CORPS It was on a cool, starlit evening, early in September, 1916, that I first met Drew of Massachusetts, and actually began my adventures as a prospective member of the Escadrille Américaine. We had sailed from New York by the same boat, had made our applications for enlistment in the Foreign Legion on the same day, without being aware of each other's existence; and in... more...

INTRODUCTION. The special subject of the greater part of the letters and essays of Schiller contained in this volume is Aesthetics; and before passing to any remarks on his treatment of the subject it will be useful to offer a few observations on the nature of this topic, and on its treatment by the philosophical spirit of different ages. First, then, aesthetics has for its object the vast realm of the... more...

PREFACE The following pages are the answer to questions which a young man asked himself when, fresh from the university, he found himself adrift in the great galleries of Europe. As he stood helpless and confused in the presence of the visible expressions of the spirit of man in so many ages and so many lands, one question recurred insistently: Why are these pictures? What is the meaning of all this... more...

[213] THE "aesthetic" poetry is neither a mere reproduction of Greek or medieval poetry, nor only an idealisation of modern life and sentiment. The atmosphere on which its effect depends belongs to no simple form of poetry, no actual form of life. Greek poetry, medieval or modern poetry, projects, above the realities of its time, a world in which the forms of things are transfigured. Of that... more...

INTRODUCTORY It was at Mons in the third week of the Great War. The grey-green German hordes had overwhelmed the greater part of Belgium and were sweeping down into France whose people and military establishment were all unprepared for attack from that quarter. For days the little British army of perhaps 100,000 men, that forlorn hope which the Germans scornfully called "contemptible," but... more...

PREFACE This little work contains the chief ideas gathered together for a course of lectures on the theory and history of aesthetics given at Harvard College from 1892 to 1895. The only originality I can claim is that which may result from the attempt to put together the scattered commonplaces of criticism into a system, under the inspiration of a naturalistic psychology. I have studied sincerity... more...

EARLY DAYS It may be remembered that in the last pages of his diary, written just before his death, Allan Quatermain makes allusion to his long dead wife, stating that he has written of her fully elsewhere. When his death was known, his papers were handed to myself as his literary executor. Among them I found two manuscripts, of which the following is one. The other is simply a record of events wherein... more...