The Woman Who Tried to Be Good [1913] Before she tried to be a good woman she had been a very bad woman—so bad that she could trail her wonderful apparel up and down Main Street, from the Elm Tree Bakery to the railroad tracks, without once having a man doff his hat to her or a woman bow. You passed her on the street with a surreptitious glance, though she was well worth looking at—in her furs and... more...

CHAPTER I The Prince tore the missive fiercely from its envelope, and scowled at the mocking glint of the royal crown so heavily embossed at the top of the paper. What a toy it was, he thought, to cost so much, and eventually to mean so little! Roughly translated, the letter ran as follows: "Your Royal Highness will be gratified to learn that at last a satisfactory alliance has been arranged... more...

PART I LATE SPRINGThe mottled moth at eventideBeats glimmering wings against the pane;The slow, sweet lily opens wide,White in the dusk like some dim stain;The garden dreams on every sideAnd breathes faint scents of rain.Among the flowering stocks they stand:A crimson rose is in his hand. 1 Outside her garden. He waits musing.Herein the dearness of her is;The thirty perfect days of JuneMade one, in... more...

One day at Arle—a tiny scattered fishing hamlet on the northwestern English coast—there stood at the door of one of the cottages near the shore a woman leaning against the lintel-post and looking out: a woman who would have been apt to attract a stranger's eye, too—a woman young and handsome. This was what a first glance would have taken in; a second would have been apt to teach more and... more...

ONE DAY MORE SCENE I. CURTAIN RISES DISCLOSING CARVIL and Bessie moving away from sea-wall. Bessie about twenty-five. Black dress; black straw hat. A lot of mahogany-coloured hair loosely done up. Pale face. Full figure. Very quiet. Carvil, blind, unwieldy. Reddish whiskers; slow, deep voice produced without effort. Immovable, big face. Carvil (Hanging heavily on Bessie's arm). Careful! Go slow!... more...

PREFACE This selection of "One hundred best books" is made after a different method and with a different purpose from the selections already in existence. Those apparently are designed to stuff the minds of young persons with an accumulation of "standard learning" calculated to alarm and discourage the boldest. The following list is frankly subjective in its choice; being indeed the... more...

INTRODUCTION The highest living authority on French Literature—Professor George Saintsbury—has said: "The Cent Nouvelles is undoubtedly the first work of literary prose in French, and the first, moreover, of a long and most remarkable series of literary works in which French writers may challenge all comers with the certainty of victory. The short prose tale of a comic character is the one... more...

THE SHADOW The winter's twilight, as thick as blown smoke, was drifting through the Capitol Square. Already the snow covered walks and the frozen fountains were in shadow; but beyond the irregular black boughs of the trees the sky was still suffused with the burning light of the sunset. Over the head of the great bronze Washington a single last gleam of sunshine shot suddenly before it vanished... more...

CHAPTER I In the huge shed of the wharf, piled with crates and baggage, broken by gang-planks leading up to ships on either side, a band plays a tinselly Hawaiian tune; people are dancing in and out among the piles of trunks and boxes. There is a scattering of khaki uniforms, and many young men stand in groups laughing and talking in voices pitched shrill with crates excitement. In the brown light of... more...

ellman plucked the last radish out of the can with a pair of dividers. He held it up for Casker to admire, then laid it carefully on the workbench beside the razor. "Hell of a meal for two grown men," Casker said, flopping down in one of the ship's padded crash chairs. "If you'd like to give up your share—" Hellman started to suggest. Casker shook his head quickly. Hellman... more...