Excerpt
irst, I must tell you how I intend to relate my story. Having never before undertaken to write a long narrative, I have considered and laid down a few rules which I shall observe. Some of these are unquestionably good; others, I daresay, offend against the canons of composition; but I adopt them, because they will enable me to tell my story better than, with my imperfect experience, better rules possibly would. In the first place, I shall represent the people with whom I had to deal quite fairly. I have met some bad people, some indifferent, and some who at this distance of time seem to me like angels in the unchanging light of heaven.
My narrative shall be arranged in the order of the events; I shall not recapitulate or anticipate.
What I have learned from others, and did not witness, that which I narrate, in part, from the hints of living witnesses, and, in part, conjecturally, I shall record in the historic third person; and I shall write it down with as much confidence and particularity as if I had actually seen it; in that respect imitating, I believe, all great historians, modern and ancient. But the scenes in which I have been an actor, that which my eyes have seen, and my ears heard, I will relate accordingly. If I can be clear and true, my clumsiness and irregularity, I hope, will be forgiven me.
My name is Ethel Ware.
I am not an interesting person by any means. You shall judge. I shall be forty-two my next birthday. That anniversary will occur on the first of May, 1873; and I am unmarried.
I don't look quite the old maid I am, they tell me. They say I don't look five-and-thirty, and I am conscious, sitting before the glass, that there is nothing sour or peevish in my features. What does it matter, even to me? I shall, of course, never marry; and, honestly, I don't care to please any one. If I cared twopence how I looked, I should probably look worse than I do.
I wish to be honest. I have looked in the glass since I wrote that sentence. I have just seen the faded picture of what may have been a pretty, at least what is called a piquant face; a forehead broad and well-formed, over which the still dark-brown hair grows low; large and rather good grey eyes and features, with nothing tragic, nothing classic—just fairly good.
I think there was always energy in my face! I think I remember, long ago, something at times comic; at times, also, something sad and tender, and even dreamy, as I fixed flowers in my hair or talked to my image in the glass. All that has been knocked out of me pretty well. What I do see there now is resolution.
There are processes of artificial hatching in use, if I remember rightly, in Egypt, by which you may, at your discretion, make the bird all beak, or all claw, all head, or all drumstick, as you please to develope it, before the shell breaks, by a special application of heat. It is a chick, no doubt, but a monstrous chick; and something like such a chick was I. Circumstances, in my very early days, hatched my character altogether out of equilibrium.
The caloric had been applied quite different in my mother's case, and produced a prodigy of quite another sort.
I loved my mother with a very warm, but, I am now conscious, with a somewhat contemptuous affection. It never was an angry nor an arrogant contempt; a very tender one, on the contrary. She loved me, I am sure, as well as she was capable of loving a child—better than she ever loved my sister—and I would have laid down my life for her; but, with all my love, I looked down upon her, although I did not know it, till I thought my life over in the melancholy honesty of solitude.
I am not romantic....