INTRODUCTORY SKETCH. In one of the old-fashioned books for children there was a story of the adventures of a cent (or perhaps that coin of older lineage, a penny) told by itself, which came into my mind when the publishers suggested that the readers of a new edition of this book might like to know how it happened to be written. I promptly fancied the book speaking, and taking upon itself the burden of... more...

It was on a morning of the lovely New England May that we left the horse- car, and, spreading our umbrellas, walked down the street to our new home in Charlesbridge, through a storm of snow and rain so finely blent by the influences of this fortunate climate, that no flake knew itself from its sister drop, or could be better identified by the people against whom they beat in unison. A vernal gale from... more...

I think that every man ought to work for his living, without exception, and that when he has once avouched his willingness to work, society should provide him with work and warrant him a living. I do not think any man ought to live by an art. A man's art should be his privilege, when he has proven his fitness to exercise it, and has otherwise earned his daily bread; and its results should be free... more...

INTRODUCTION. Mr. Howells has written a long series of poems, novels, sketches, stories, and essays, and has been perhaps the most continuous worker in the literary art among American writers. He was born at Martin's Perry, Belmont County, Ohio, March 1, 1837, and the experiences of his early life have been delightfully told by himself in A Boy's Town, My Year in a Log Cabin, and My Literary... more...

From his place on the floor of the Hemenway Gymnasium Mr. Elbridge G. Mavering looked on at the Class Day gaiety with the advantage which his stature, gave him over most people there. Hundreds of these were pretty girls, in a great variety of charming costumes, such as the eclecticism of modern fashion permits, and all sorts of ingenious compromises between walking dress and ball dress. It struck him... more...

It was in the little office of James T. Fields, over the bookstore of Ticknor & Fields, at 124 Tremont Street, Boston, that I first met my friend of now forty-four years, Samuel L. Clemens. Mr. Fields was then the editor of The Atlantic Monthly, and I was his proud and glad assistant, with a pretty free hand as to manuscripts, and an unmanacled command of the book-notices at the end of the... more...

THE PILOT’S STORY. I. It was a story the pilot told, with his back to his hearers,–– Keeping his hand on the wheel and his eye on the globe of the jack-staff, Holding the boat to the shore and out of the sweep of the current, Lightly turning aside for the heavy logs of the drift-wood, Widely shunning the snags that made us sardonic obeisance. II. All the soft, damp air was full of delicate... more...

SCENE: One side of a sleeping-car on the Boston and Albany Road.  The curtains are drawn before most of the berths; from the hooks and rods hang hats, bonnets, bags, bandboxes, umbrellas, and other travelling gear; on the floor are boots of both sexes, set out for THE PORTER to black.  THE PORTER is making up the beds in the upper and lower berths adjoining the seats on which a young mother, slender... more...

My recollections of Bret Harte begin with the arrest, on the Atlantic shore, of that progress of his from the Pacific Slope, which, in the simple days of 1871, was like the progress of a prince, in the universal attention and interest which met and followed it. He was indeed a prince, a fairy prince in whom every lover of his novel and enchanting art felt a patriotic property, for his promise and... more...

"You need the rest," said the Business End; "and your wife wants you to go, as well as your doctor. Besides, it's your Sabbatical year, and you, could send back a lot of stuff for the magazine." "Is that your notion of a Sabbatical year?" asked the editor. "No; I throw that out as a bait to your conscience. You needn't write a line while you're gone. I wish... more...