I Liverpool does not remind him of this so much as the good and true Baedeker professes, in the dockside run on the overhead railway (as the place unambitiously calls its elevated road); but then, as I noted in my account of Southampton, docks have a fancy of taking themselves in, and eluding the tourist eye, and even when they "flank the Mersey for a distance of 6-7 M." they do not respond to... more...

We had expected to stay in Boston only until we could find a house in Old Cambridge. This was not so simple a matter as it might seem; for the ancient town had not yet quickened its scholarly pace to the modern step. Indeed, in the spring of 1866 the impulse of expansion was not yet visibly felt anywhere; the enormous material growth that followed the civil war had not yet begun. In Cambridge the... more...

One of the most amusing questions concerning the short story is why a form which is singly so attractive that every one likes to read a short story when he finds it alone is collectively so repellent as it is said to be. Before now I have imagined the case to be somewhat the same as that of a number of pleasant people who are most acceptable as separate householders, but who lose caste and cease to be... more...

The following story was the first fruit of my New York life when I began to live it after my quarter of a century in Cambridge and Boston, ending in 1889; and I used my own transition to the commercial metropolis in framing the experience which was wholly that of my supposititious literary adventurer. He was a character whom, with his wife, I have employed in some six or eight other stories, and whom I... more...

In a certain sort fragile is written all over our colony; as far as the visible body of it is concerned it is inexpressibly perishable; a fire and a high wind could sweep it all away; and one of the most American of all American things is the least fitted among them to survive from the present to the future, and impart to it the significance of what may soon be a "portion and parcel" of our... more...

THE DAUGHTER OF THE STORAGE I They were getting some of their things out to send into the country, and Forsyth had left his work to help his wife look them over and decide which to take and which to leave. The things were mostly trunks that they had stored the fall before; there were some tables and Colonial bureaus inherited from his mother, and some mirrors and decorative odds and ends, which they... more...

A FEARFUL RESPONSIBILITY. I. Every loyal American who went abroad during the first years of our great war felt bound to make himself some excuse for turning his back on his country in the hour of her trouble. But when Owen Elmore sailed, no one else seemed to think that he needed excuse. All his friends said it was the best thing for him to do; that he could have leisure and quiet over there, and would... more...

I. WHEN Bartley Hubbard went to interview Silas Lapham for the "Solid Men of Boston" series, which he undertook to finish up in The Events, after he replaced their original projector on that newspaper, Lapham received him in his private office by previous appointment. "Walk right in!" he called out to the journalist, whom he caught sight of through the door of the counting-room. He did... more...

The events of Mr. James's life—as we agree to understand events—may be told in a very few words. His race is Irish on his father's side and Scotch on his mother's, to which mingled strains the generalizer may attribute, if he likes, that union of vivid expression and dispassionate analysis which has characterized his work from the first. There are none of those early struggles with... more...

CHAPTER I. VENICE IN VENICE. One night at the little theatre in Padua, the ticket-seller gave us the stage-box (of which he made a great merit), and so we saw the play and the byplay. The prompter, as noted from our point of view, bore a chief part in the drama (as indeed the prompter always does in the Italian theatre), and the scene-shifters appeared as prominent characters. We could not help seeing... more...