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W. B. (William Butler) Yeats
William Butler Yeats (1865-1939) was an influential Irish poet, playwright, and one of the foremost figures of 20th-century literature. He was a driving force behind the Irish Literary Revival and co-founded the Abbey Theatre, playing a key role in the cultural and political life of Ireland. Yeats was awarded the Nobel Prize in Literature in 1923, recognized for his outstanding and innovative contributions to poetry.
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Why does my heart beat so?Did not a shadow pass?It passed but a moment ago.Who can have trod in the grass?What rogue is night-wandering?Have not old writers saidThat dizzy dreams can springFrom the dry bones of the dead?And many a night it seemsThat all the valley fillsWith those fantastic dreams.They overflow the hills,So passionate is a shade,Like wine that fills to the topA grey-green cup of jade,Or...
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THE HOSTING OF THE SIDHEThe host is riding from KnocknareaAnd over the grave of Clooth-na-bare;Caolte tossing his burning hairAnd Niamh callingAway, come away: Empty your heart of its mortal dream. The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing...
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THE WILD SWANS AT COOLEThe trees are in their autumn beauty,The woodland paths are dry,Under the October twilight the waterMirrors a still sky;Upon the brimming water among the stonesAre nine and fifty swans.The nineteenth Autumn has come upon meSince I first made my count;I saw, before I had well finished,All suddenly mountAnd scatter wheeling in great broken ringsUpon their clamorous wings.I have...
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At the end of the ’eighties my father and mother, my brother and sisters and myself, all newly arrived from Dublin, were settled in Bedford Park in a red-brick house with several mantelpieces of wood, copied from marble mantelpieces designed by the brothers Adam, a balcony and a little garden shadowed by a great horse-chestnut tree. Years before we had lived there, when the crooked ostentatiously...
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THE CRUCIFIXION OF THE OUTCAST. A man, with thin brown hair and a pale face, half ran, half walked, along the road that wound from the south to the town of Sligo. Many called him Cumhal, the son of Cormac, and many called him the Swift, Wild Horse; and he was a gleeman, and he wore a short parti-coloured doublet, and had pointed shoes, and a bulging wallet. Also he was of the blood of the Ernaans, and...
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THE LAND OF HEART'S DESIRE SCENE.—A room with a hearth on the floor in the middle of a deep alcove to the Right. There are benches in the alcove and a table; and a crucifix on the wall. The alcove is full of a glow of light from the fire. There is an open door facing the audience to the Left, and to the left of this a bench. Through the door one can see the forest. It is night, but the moon or a...
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SCENE: A large room with a door at the back and another at the side opening to an inner room. A desk and a chair in the middle. An hour-glass on a bracket near the door. A creepy stool near it. Some benches. The WISE MAN sitting at his desk. WISE MAN [turning over the pages of a book]. Where is that passage I am to explain to my pupils to-day? Here it is, and the book says that it was written by a...
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HIS DREAM I swayed upon the gaudy stern The butt end of a steering oar, And everywhere that I could turn Men ran upon the shore. And though I would have hushed the crowd There was no mother’s son but said, “What is the figure in a shroud Upon a gaudy bed?” And fishes bubbling to the brim Cried out upon that thing beneath, It had such dignity of limb, By the sweet name of Death. Though I’d my...
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CUCHULAIN AND HIS CYCLE The Church when it was most powerful taught learned and unlearned to climb, as it were, to the great moral realities through hierarchies of Cherubim and Seraphim, through clouds of Saints and Angels who had all their precise duties and privileges. The story-tellers of Ireland, perhaps of every primitive country, imagined as fine a fellowship, only it was to the æsthetic...
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SCENE 1 SCENE—A room with lighted fire, and a door into the open air, through which one sees, perhaps, the trees of a wood, and these trees should be painted in flat colour upon a gold or diapered sky. The walls are of one colour. The scene should have the effect of missal Painting. MARY, a woman of forty years or so, is grinding a quern. MARY. What can have made the grey hen flutter so? (TEIG, a boy...
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