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W. B. (William Butler) Yeats
William Butler Yeats (1865-1939) was an influential Irish poet, playwright, and one of the foremost figures of 20th-century literature. He was a driving force behind the Irish Literary Revival and co-founded the Abbey Theatre, playing a key role in the cultural and political life of Ireland. Yeats was awarded the Nobel Prize in Literature in 1923, recognized for his outstanding and innovative contributions to poetry.
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THIS BOOK I I have desired, like every artist, to create a little world out of the beautiful, pleasant, and significant things of this marred and clumsy world, and to show in a vision something of the face of Ireland to any of my own people who would look where I bid them. I have therefore written down accurately and candidly much that I have heard and seen, and, except by way of commentary, nothing...
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INTRODUCTION. Dr. Corbett, Bishop of Oxford and Norwich, lamented long ago the departure of the English fairies. "In Queen Mary's time" he wrote—"When Tom came home from labour,Or Cis to milking rose,Then merrily, merrily went their tabor,And merrily went their toes." But now, in the times of James, they had all gone, for "they were of the old profession," and "their...
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J.M. SYNGE AND THE IRELAND OF HIS TIME On Saturday, January 26th, 1907, I was lecturing in Aberdeen, and when my lecture was over I was given a telegram which said, 'Play great success.' It had been sent from Dublin after the second Act of 'The Playboy of the Western World,' then being performed for the first time. After one in the morning, my host brought to my bedroom this second...
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SCENE 1 SCENE—A room with lighted fire, and a door into the open air, through which one sees, perhaps, the trees of a wood, and these trees should be painted in flat colour upon a gold or diapered sky. The walls are of one colour. The scene should have the effect of missal Painting. MARY, a woman of forty years or so, is grinding a quern. MARY. What can have made the grey hen flutter so? (TEIG, a boy...
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HIS DREAM I swayed upon the gaudy stern The butt end of a steering oar, And everywhere that I could turn Men ran upon the shore. And though I would have hushed the crowd There was no mother’s son but said, “What is the figure in a shroud Upon a gaudy bed?” And fishes bubbling to the brim Cried out upon that thing beneath, It had such dignity of limb, By the sweet name of Death. Though I’d my...
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RED HANRAHAN. Hanrahan, the hedge schoolmaster, a tall, strong, red-haired young man, came into the barn where some of the men of the village were sitting on Samhain Eve. It had been a dwelling-house, and when the man that owned it had built a better one, he had put the two rooms together, and kept it for a place to store one thing or another. There was a fire on the old hearth, and there were dip...
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IN THE SEVEN WOODS. I have heard the pigeons of the Seven Woods Make their faint thunder, and the garden bees Hum in the lime tree flowers; and put away The unavailing outcries and the old bitterness That empty the heart. I have forgot awhile Tara uprooted, and new commonness Upon the throne and crying about the streets And hanging its paper flowers from post to post, Because it is alone of all things...
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SCENE: A large room with a door at the back and another at the side opening to an inner room. A desk and a chair in the middle. An hour-glass on a bracket near the door. A creepy stool near it. Some benches. The WISE MAN sitting at his desk. WISE MAN [turning over the pages of a book]. Where is that passage I am to explain to my pupils to-day? Here it is, and the book says that it was written by a...
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THE LAND OF HEART'S DESIRE SCENE.—A room with a hearth on the floor in the middle of a deep alcove to the Right. There are benches in the alcove and a table; and a crucifix on the wall. The alcove is full of a glow of light from the fire. There is an open door facing the audience to the Left, and to the left of this a bench. Through the door one can see the forest. It is night, but the moon or a...
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THE CRUCIFIXION OF THE OUTCAST. A man, with thin brown hair and a pale face, half ran, half walked, along the road that wound from the south to the town of Sligo. Many called him Cumhal, the son of Cormac, and many called him the Swift, Wild Horse; and he was a gleeman, and he wore a short parti-coloured doublet, and had pointed shoes, and a bulging wallet. Also he was of the blood of the Ernaans, and...
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