PREFACE This story of the Mellstock Quire and its old established west-gallery musicians, with some supplementary descriptions of similar officials in Two on a Tower, A Few Crusted Characters, and other places, is intended to be a fairly true picture, at first hand, of the personages, ways, and customs which were common among such orchestral bodies in the villages of fifty or sixty years ago. One is... more...

The Spectacle here presented in the likeness of a Drama is concerned with the Great Historical Calamity, or Clash of Peoples, artificially brought about some hundred years ago. The choice of such a subject was mainly due to three accidents of locality. It chanced that the writer was familiar with a part of England that lay within hail of the watering-place in which King George the Third had his... more...

CHAPTER I. The rambler who, for old association or other reasons, should trace the forsaken coach-road running almost in a meridional line from Bristol to the south shore of England, would find himself during the latter half of his journey in the vicinity of some extensive woodlands, interspersed with apple-orchards. Here the trees, timber or fruit-bearing, as the case may be, make the wayside hedges... more...

1. I. A SUPPOSITITIOUS PRESENTMENT OF HER A person who differed from the local wayfarers was climbing the steep road which leads through the sea-skirted townlet definable as the Street of Wells, and forms a pass into that Gibraltar of Wessex, the singular peninsula once an island, and still called such, that stretches out like the head of a bird into the English Channel. It is connected with the... more...

1. One evening of late summer, before the nineteenth century had reached one-third of its span, a young man and woman, the latter carrying a child, were approaching the large village of Weydon-Priors, in Upper Wessex, on foot. They were plainly but not ill clad, though the thick hoar of dust which had accumulated on their shoes and garments from an obviously long journey lent a disadvantageous... more...

CHAPTER I The person who, next to the actors themselves, chanced to know most of their story, lived just below ‘Top o’ Town’ (as the spot was called) in an old substantially-built house, distinguished among its neighbours by having an oriel window on the first floor, whence could be obtained a raking view of the High Street, west and east, the former including Laura’s dwelling, the end of the... more...

King’s-Hintock Court (said the narrator, turning over his memoranda for reference)—King’s-Hintock Court is, as we know, one of the most imposing of the mansions that overlook our beautiful Blackmoor or Blakemore Vale.  On the particular occasion of which I have to speak this building stood, as it had often stood before, in the perfect silence of a calm clear night, lighted only by the cold shine... more...

THE SON’S VETO CHAPTER I To the eyes of a man viewing it from behind, the nut-brown hair was a wonder and a mystery.  Under the black beaver hat, surmounted by its tuft of black feathers, the long locks, braided and twisted and coiled like the rushes of a basket, composed a rare, if somewhat barbaric, example of ingenious art.  One could understand such weavings and coilings being wrought to last... more...

AN UPBRAIDING Now I am dead you sing to me   The songs we used to know,But while I lived you had no wish   Or care for doing so. Now I am dead you come to me   In the moonlight, comfortless;Ah, what would I have given alive   To win such tenderness! When you are dead, and stand to me   Not differenced, as now,But like again, will you be cold   As when we lived, or how? "These... more...

1. DECEMBER AND JANUARY, 1835-36 In the long and intricately inwrought chain of circumstance which renders worthy of record some experiences of Cytherea Graye, Edward Springrove, and others, the first event directly influencing the issue was a Christmas visit. In the above-mentioned year, 1835, Ambrose Graye, a young architect who had just begun the practice of his profession in the midland town of... more...