CHAPTER I The person who, next to the actors themselves, chanced to know most of their story, lived just below ‘Top o’ Town’ (as the spot was called) in an old substantially-built house, distinguished among its neighbours by having an oriel window on the first floor, whence could be obtained a raking view of the High Street, west and east, the former including Laura’s dwelling, the end of the... more...

THE SON’S VETO CHAPTER I To the eyes of a man viewing it from behind, the nut-brown hair was a wonder and a mystery.  Under the black beaver hat, surmounted by its tuft of black feathers, the long locks, braided and twisted and coiled like the rushes of a basket, composed a rare, if somewhat barbaric, example of ingenious art.  One could understand such weavings and coilings being wrought to last... more...

PREFACE. This slightly-built romance was the outcome of a wish to set the emotional history of two infinitesimal lives against the stupendous background of the stellar universe, and to impart to readers the sentiment that of these contrasting magnitudes the smaller might be the greater to them as men. But, on the publication of the book people seemed to be less struck with these high aims of the author... more...

The Spectacle here presented in the likeness of a Drama is concerned with the Great Historical Calamity, or Clash of Peoples, artificially brought about some hundred years ago. The choice of such a subject was mainly due to three accidents of locality. It chanced that the writer was familiar with a part of England that lay within hail of the watering-place in which King George the Third had his... more...

King’s-Hintock Court (said the narrator, turning over his memoranda for reference)—King’s-Hintock Court is, as we know, one of the most imposing of the mansions that overlook our beautiful Blackmoor or Blakemore Vale.  On the particular occasion of which I have to speak this building stood, as it had often stood before, in the perfect silence of a calm clear night, lighted only by the cold shine... more...

AN UPBRAIDING Now I am dead you sing to me   The songs we used to know,But while I lived you had no wish   Or care for doing so. Now I am dead you come to me   In the moonlight, comfortless;Ah, what would I have given alive   To win such tenderness! When you are dead, and stand to me   Not differenced, as now,But like again, will you be cold   As when we lived, or how? "These... more...

Chapter I 'A fair vestal, throned in the west' Elfride Swancourt was a girl whose emotions lay very near the surface. Their nature more precisely, and as modified by the creeping hours of time, was known only to those who watched the circumstances of her history. Personally, she was the combination of very interesting particulars, whose rarity, however, lay in the combination itself rather... more...

PREFACE This story of the Mellstock Quire and its old established west-gallery musicians, with some supplementary descriptions of similar officials in Two on a Tower, A Few Crusted Characters, and other places, is intended to be a fairly true picture, at first hand, of the personages, ways, and customs which were common among such orchestral bodies in the villages of fifty or sixty years ago. One is... more...

1. A STREET IN ANGLEBURY—A HEATH NEAR IT—INSIDE THE ‘RED LION’ INN Young Mrs. Petherwin stepped from the door of an old and well-appointed inn in a Wessex town to take a country walk.  By her look and carriage she appeared to belong to that gentle order of society which has no worldly sorrow except when its jewellery gets stolen; but, as a fact not generally known, her claim to distinction was... more...

PREFACE. The changing of the old order in country manors and mansions may be slow or sudden, may have many issues romantic or otherwise, its romantic issues being not necessarily restricted to a change back to the original order; though this admissible instance appears to have been the only romance formerly recognized by novelists as possible in the case. Whether the following production be a picture... more...