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Thomas Hardy

Thomas Hardy (1840-1928) was an English novelist and poet, known for his depiction of the rural life and social issues in the Victorian era. His notable works include "Tess of the d'Urbervilles," "Far from the Madding Crowd," and "Jude the Obscure," which often explore themes of fate, love, and the struggle against societal constraints. Hardy's writing is characterized by its rich, descriptive style and profound pessimism, reflecting his belief in the indifferent nature of the universe.
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Thomas Hardy
1. DECEMBER AND JANUARY, 1835-36 In the long and intricately inwrought chain of circumstance which renders worthy of record some experiences of Cytherea Graye, Edward Springrove, and others, the first event directly influencing the issue was a Christmas visit. In the above-mentioned year, 1835, Ambrose Graye, a young architect who had just begun the practice of his profession in the midland town of...
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Thomas Hardy
Chapter I 'A fair vestal, throned in the west' Elfride Swancourt was a girl whose emotions lay very near the surface. Their nature more precisely, and as modified by the creeping hours of time, was known only to those who watched the circumstances of her history. Personally, she was the combination of very interesting particulars, whose rarity, however, lay in the combination itself rather...
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Thomas Hardy
I. WHAT WAS SEEN FROM THE WINDOW OVERLOOKING THE DOWN In the days of high-waisted and muslin-gowned women, when the vast amount of soldiering going on in the country was a cause of much trembling to the sex, there lived in a village near the Wessex coast two ladies of good report, though unfortunately of limited means. The elder was a Mrs. Martha Garland, a landscape-painter’s widow, and the...
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Thomas Hardy
CHAPTER I Description of Farmer Oak—An Incident When Farmer Oak smiled, the corners of his mouth spread till they were within an unimportant distance of his ears, his eyes were reduced to chinks, and diverging wrinkles appeared round them, extending upon his countenance like the rays in a rudimentary sketch of the rising sun. His Christian name was Gabriel, and on working days he was a young man of...
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Thomas Hardy
AN IMAGINATIVE WOMAN When William Marchmill had finished his inquiries for lodgings at a well-known watering-place in Upper Wessex, he returned to the hotel to find his wife. She, with the children, had rambled along the shore, and Marchmill followed in the direction indicated by the military-looking hall-porter ‘By Jove, how far you’ve gone! I am quite out of breath,’ Marchmill said, rather...
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Thomas Hardy
1. I. A SUPPOSITITIOUS PRESENTMENT OF HER A person who differed from the local wayfarers was climbing the steep road which leads through the sea-skirted townlet definable as the Street of Wells, and forms a pass into that Gibraltar of Wessex, the singular peninsula once an island, and still called such, that stretches out like the head of a bird into the English Channel. It is connected with the...
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Thomas Hardy
Phase the First: The Maiden, I-XI I On an evening in the latter part of May a middle-aged man was walking homeward from Shaston to the village of Marlott, in the adjoining Vale of Blakemore, or Blackmoor. The pair of legs that carried him were rickety, and there was a bias in his gait which inclined him somewhat to the left of a straight line. He occasionally gave a smart nod, as if in confirmation...
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Thomas Hardy
CHAPTER I The person who, next to the actors themselves, chanced to know most of their story, lived just below ‘Top o’ Town’ (as the spot was called) in an old substantially-built house, distinguished among its neighbours by having an oriel window on the first floor, whence could be obtained a raking view of the High Street, west and east, the former including Laura’s dwelling, the end of the...
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Thomas Hardy
THE SON’S VETO CHAPTER I To the eyes of a man viewing it from behind, the nut-brown hair was a wonder and a mystery. Under the black beaver hat, surmounted by its tuft of black feathers, the long locks, braided and twisted and coiled like the rushes of a basket, composed a rare, if somewhat barbaric, example of ingenious art. One could understand such weavings and coilings being wrought to last...
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Thomas Hardy
PREFACE. This slightly-built romance was the outcome of a wish to set the emotional history of two infinitesimal lives against the stupendous background of the stellar universe, and to impart to readers the sentiment that of these contrasting magnitudes the smaller might be the greater to them as men. But, on the publication of the book people seemed to be less struck with these high aims of the author...
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