Chapter 1. The Tremendous Adventures of Major Brown Rabelais, or his wild illustrator Gustave Dore, must have had something to do with the designing of the things called flats in England and America. There is something entirely Gargantuan in the idea of economising space by piling houses on top of each other, front doors and all. And in the chaos and complexity of those perpendicular streets anything may dwell or happen, and it is in one of... more...

DEAR PROFESSOR WHIRLWIND, Your name in the original German is too much for me; and this is the nearest I propose to get to it: but under the majestic image of pure wind marching in a movement wholly circular I seem to see, as in a vision, something of your mind. But the grand isolation of your thoughts leads you to express them in such words as are gratifying to yourself, and have an inconspicuous or even an unfortunate effect upon others. If... more...

A DEFENCE OF PENNY DREADFULS One of the strangest examples of the degree to which ordinary life is undervalued is the example of popular literature, the vast mass of which we contentedly describe as vulgar. The boy's novelette may be ignorant in a literary sense, which is only like saying that a modern novel is ignorant in the chemical sense, or the economic sense, or the astronomical sense; but it is not vulgar intrinsically—it is the... more...

The Blue Cross Between the silver ribbon of morning and the green glittering ribbon of sea, the boat touched Harwich and let loose a swarm of folk like flies, among whom the man we must follow was by no means conspicuous—nor wished to be. There was nothing notable about him, except a slight contrast between the holiday gaiety of his clothes and the official gravity of his face. His clothes included a slight, pale grey jacket, a white... more...

THE MAN WHO KNEW TOO MUCH I. THE FACE IN THE TARGET Harold March, the rising reviewer and social critic, was walking vigorously across a great tableland of moors and commons, the horizon of which was fringed with the far-off woods of the famous estate of Torwood Park. He was a good-looking young man in tweeds, with very pale curly hair and pale clear eyes. Walking in wind and sun in the very landscape of liberty, he was still young enough to... more...

CHAPTER I. THE TWO POETS OF SAFFRON PARK THE suburb of Saffron Park lay on the sunset side of London, as red and ragged as a cloud of sunset. It was built of a bright brick throughout; its sky-line was fantastic, and even its ground plan was wild. It had been the outburst of a speculative builder, faintly tinged with art, who called its architecture sometimes Elizabethan and sometimes Queen Anne, apparently under the impression that the two... more...

TO HILAIRE BELLOC For every tiny town or placeGod made the stars especially;Babies look up with owlish faceAnd see them tangled in a tree:You saw a moon from Sussex Downs,A Sussex moon, untravelled still,I saw a moon that was the town's,The largest lamp on Campden Hill.Yea; Heaven is everywhere at homeThe big blue cap that always fits,And so it is (be calm; they comeTo goal at last, my wandering wits),So is it with the heroic thing;This shall... more...

CHAPTER I THE WAY OF THE CITIES It was in the season of Christmas that I came out of my little garden in that "field of the beeches" between the Chilterns and the Thames, and began to walk backwards through history to the place from which Christmas came. For it is often necessary to walk backwards, as a man on the wrong road goes back to a sign-post to find the right road. The modern man is more like a traveller who has forgotten the name of... more...

I. THE TALE OF THE PEACOCK TREES Squire Vane was an elderly schoolboy of English education and Irish extraction. His English education, at one of the great public schools, had preserved his intellect perfectly and permanently at the stage of boyhood. But his Irish extraction subconsciously upset in him the proper solemnity of an old boy, and sometimes gave him back the brighter outlook of a naughty boy. He had a bodily impatience which played... more...

INTRODUCTION A section of a long and splendid literature can be most conveniently treated in one of two ways. It can be divided as one cuts a currant cake or a Gruyère cheese, taking the currants (or the holes) as they come. Or it can be divided as one cuts wood—along the grain: if one thinks that there is a grain. But the two are never the same: the names never come in the same order in actual time as they come in any serious study... more...