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Friedrich Schiller
Friedrich Schiller (1759–1805) was a seminal German playwright, poet, and philosopher, known for his profound influence on German literature and drama. His notable works include "The Robbers," "William Tell," and "Ode to Joy," the latter of which was famously set to music by Beethoven in his Ninth Symphony. Schiller's writings often explored themes of freedom, justice, and the struggle against tyranny, making him a pivotal figure in the Sturm und Drang movement and German Romanticism.
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SCENE I. Sutlers' tents—in front, a Slop-shop. Soldiers of all colors anduniforms thronging about. Tables all filled. Croats and Hulanscooking at a fire. Sutler-woman serving out wine. Soldier-boysthrowing dice on a drum-head. Singing heard from the tent. Enter a Peasant and his Son. SON.Father, I fear it will come to harm,So let us be off from this soldier swarm;But boist'rous mates will...
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The present is the best collected edition of the important works of Schiller which is accessible to readers in the English language. Detached poems or dramas have been translated at various times since the first publication of the original works; and in several instances these versions have been incorporated into this collection. Schiller was not less efficiently qualified by nature for an historian...
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Now first translated into English. This play is to be regarded merely as a dramatic narrative in which, for the purpose of tracing out the innermost workings of the soul, advantage has been taken of the dramatic method, without otherwise conforming to the stringent rules of theatrical composition, or seeking the dubious advantage of stage adaptation. It must be admitted as somewhat inconsistent that...
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POEMS OF THE THIRD PERIOD. THE MEETING. I see her still—by her fair train surrounded,The fairest of them all, she took her place;Afar I stood, by her bright charms confounded,For, oh! they dazzled with their heavenly grace.With awe my soul was filled—with bliss unbounded,While gazing on her softly radiant face;But soon, as if up-borne on wings of fire,My fingers 'gan to sweep the sounding...
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SUPPRESSED POEMS. THE JOURNALISTS AND MINOS. I chanced the other eve,—But how I ne'er will tell,—The paper to receive.That's published down in hell. In general one may guess,I little care to seeThis free-corps of the pressGot up so easily; But suddenly my eyesA side-note chanced to meet,And fancy my surpriseAt reading in the sheet:— "For twenty weary springs"(The post from...
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THE INVINCIBLE ARMADA. She comes, she comes—the burden of the deeps!Beneath her wails the universal sea!With clanking chains and a new god, she sweeps,And with a thousand thunders, unto thee!The ocean-castles and the floating hosts—Ne'er on their like looked the wild water!—WellMay man the monster name "Invincible."O'er shuddering waves she gathers to thy coasts!The horror that...
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POEMS OF THE FIRST PERIOD. HECTOR AND ANDROMACHE. [This and the following poem are, with some alterations, introducedin the Play of "The Robbers."] ANDROMACHE.Will Hector leave me for the fatal plain,Where, fierce with vengeance for Patroclus slain,Stalks Peleus' ruthless son?Who, when thou glid'st amid the dark abodes,To hurl the spear and to revere the gods,Shall teach thine orphan...
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BOOK I. FROM THE PAPERS OF COUNT O——— I am about to relate an adventure which to many will appear incredible, but of which I was in great part an eye-witness. The few who are acquainted with a certain political event will, if indeed these pages should happen to find them alive, receive a welcome solution thereof. And, even to the rest of my readers, it will be, perhaps, important as a...
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SCENE I. A spacious hall, supported on columns, with entrances on both sides;at the back of the stage a large folding-door leading to a chapel. DONNA ISABELLA in mourning; the ELDERS OF MESSINA. ISABELLA.Forth from my silent chamber's deep recesses,Gray Fathers of the State, unwillinglyI come; and, shrinking from your gaze, upliftThe veil that shades my widowed brows: the lightAnd glory of my days...
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The reason passes, like the heart, through certain epochs and transitions, but its development is not so often portrayed. Men seem to have been satisfied with unfolding the passions in their extremes, their aberration, and their results, without considering how closely they are bound up with the intellectual constitution of the individual. Degeneracy in morals roots in a one-sided and wavering...
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