INTRODUCTION   This the twelfth and final volume of O. Henry's work gets its title from an early newspaper venture of which he was the head and front. On April 28, 1894, there appeared in Austin, Texas, volume 1, number 3, of The Rolling Stone, with a circulation greatly in excess of that of the only two numbers that had gone before. Apparently the business office was encouraged. The first two... more...

THE MIRACLE MAN THE "ROOST" He was a misshapen thing, bulking a black blotch in the night at the entrance of the dark alleyway—like some lurking creature in its lair. He neither stood, nor kneeled, nor sat—no single word would describe his posture—he combined all three in a sort of repulsive, formless heap. The Flopper moved. He came out from the alleyway onto the pavement, into the lurid... more...

Except for those who, under compulsion of a sick certificate, are flying Bombaywards, it is good for every man to see some little of the great Indian Empire and the strange folk who move about it. It is good to escape for a time from the House of Rimmon—be it office or cutchery—and to go abroad under no more exacting master than personal inclination, and with no more definite plan of travel than... more...

Mr John Dempster. “What would I do, sir? Why, if I were as poor as you say you are, and couldn’t get on here, I’d go abroad.” “But where, sir? where to?” “Anywhere. Don’t ask me. The world’s big enough and round enough for you, isn’t it?” “But without means, Mr Dempster?” “Yes, sir, without means. Work, sir—work. The same as I have done. I pay my poor rate, and I can’t... more...

ACT I. A Room tastefully filled with cheap Art-furniture. Gimcracks in an étagère; a festoon of chenille monkeys hanging from the gaselier. Japanese fans, skeletons, cotton-wool spiders, frogs, and lizards, scattered everywhere about. Drain-pipes with tall dyed grasses. A porcelain stove decorated with transferable pictures. Showily-bound books in book-case. Window. The Visitors' bell rings in... more...

CHAPTER I THE STORM “Margot! Margot!” Mother Angelique’s anxious call rang out over the water, once, twice, many times. But, though she shaded her brows with her hands and strained her keen ears to listen, there was no one visible and no response came back to her. So she climbed the hill again and, reëntering the cabin, began to stir with almost vicious energy the contents of a pot swinging in... more...

CHAPTER I DARKNESS There was a house in this town where always by night lights burned. In one of its rooms many lights burned; in each of the other rooms at least one light. It stood on Clay Street, on a treeless plot among flower beds, a small dull-looking house; and when late on dark nights all the other houses on Clay Street were solid blockings lifting from the lesser blackness of their background,... more...

INTRODUCTION Cada puta hile (Let every jade go spin).—SANCHO PANZA. Almost alone in Europe stands Spain, the country of things as they are. The Spaniard weaves no glamour about facts, apologises for nothing, extenuates nothing. Lo que ha de ser no puede faltar! If you must have an explanation, here it is. Chew it, Englishman, and be content; you will get no other. One result of this is that... more...

INTRODUCTORY LETTER MY DEAR MR. FIELDS,—I did promise to write an Introduction to these charming papers but an Introduction,—what is it?—a sort of pilaster, put upon the face of a building for looks' sake, and usually flat,—very flat. Sometimes it may be called a caryatid, which is, as I understand it, a cruel device of architecture, representing a man or a woman, obliged to hold up upon... more...

PREFACE. PREFACE TO THE SECOND EDITION. If I had chosen to introduce myself to the greatest possible advantage to the reader, in this Preface to a Second Edition of the "Bibliographical, Antiquarian, and Picturesque Tour," I could not have done better than have borrowed the language of those Foreigners, who, by a translation of the Work (however occasionally vituperative their criticisms) have,... more...