CRITICAL INTRODUCTION Domi mansit, lanam fecit: "He remained at home and wrote," is the first thing that should be said of Gustave Flaubert. This trait, which he shares with many of the writers of his generation,—Renan, Taine, Leconte de Lisle and Dumas fils,—distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and... more...

Chapter One We were in class when the head-master came in, followed by a "new fellow," not wearing the school uniform, and a school servant carrying a large desk. Those who had been asleep woke up, and every one rose as if just surprised at his work. The head-master made a sign to us to sit down. Then, turning to the class-master, he said to him in a low voice— "Monsieur Roger, here is a... more...

INTRODUCTION At sea, about two o'clock in the morning, on a clear night, under a star-lit sky. Yves stood near me on the bridge, and we were talking of the country, so utterly unknown to us both, to which the chances of our destiny were now wafting us. As we were to cast anchor the following day, we enjoyed the state of expectation, and formed a thousand plans. "As for me," I said, "I... more...

CHAPTER I. THE MYSTERIOUS LAND At dawn we beheld Japan. Precisely at the foretold moment the mysterious land arose before us, afar off, like a black dot in the vast sea, which for so many days had been but a blank space. At first we saw nothing by the rays of the rising sun but a series of tiny pink-tipped heights (the Fukai Islands). Soon, however, appeared all along the horizon, like a misty veil... more...

I The view from the terrace at Saint-Germain-en-Laye is immense and famous. Paris lies spread before you in dusky vastness, domed and fortified, glittering here and there through her light vapours and girdled with her silver Seine. Behind you is a park of stately symmetry, and behind that a forest where you may lounge through turfy avenues and light-chequered glades and quite forget that you are within... more...

I John Durham, while he waited for Madame de Malrive to draw on her gloves, stood in the hotel doorway looking out across the Rue de Rivoli at the afternoon brightness of the Tuileries gardens. His European visits were infrequent enough to have kept unimpaired the freshness of his eye, and he was always struck anew by the vast and consummately ordered spectacle of Paris: by its look of having been... more...

AN OLD HOUSE. A few steps from the St. Charles Hotel, in New Orleans, brings you to and across Canal street, the central avenue of the city, and to that corner where the flower-women sit at the inner and outer edges of the arcaded sidewalk, and make the air sweet with their fragrant merchandise. The crowd—and if it is near the time of the carnival it will be great—will follow Canal street. But you... more...

MADAME FIRMIANI Many tales, either rich in situations or made dramatic by some of the innumerable tricks of chance, carry with them their own particular setting, which can be rendered artistically or simply by those who narrate them, without their subjects losing any, even the least of their charms. But there are some incidents in human experience to which the heart alone is able to give life; there... more...

CHAPTER I "IF YOUR NAME ISN'T POLLY IT OUGHT TO BE" "As pretty a wench as man ever clapped eyes on. Wake up, Lance, and look at her." The portly man of genial aspect sitting in the corner of the bow window of the Maiden Head Inn at the High Street end of Dyott Street in the very heart of St. Giles, clapped his sleeping friend on the shoulder and shook him. The sleeper, a young man... more...

A wild bleak-looking coast, with huge water-worn promontories jutting out into the sea, daring the tempestuous fury of the waves, which dashed furiously in sheets of seething foam against the iron rocks. Two of these headlands ran out for a considerable distance, and at the base of each, ragged cruel-looking rocks stretched still further out into the ocean until they entirely disappeared beneath the... more...