CHAPTER I During the severe winter of 1860 the river Oise was frozen over and the plains of Lower Picardy were covered with deep snow. On Christmas Day, especially, a heavy squall from the north-east had almost buried the little city of Beaumont. The snow, which began to fall early in the morning, increased towards evening and accumulated during the night; in the upper town, in the Rue des Orfevres, at... more...

oe Doolin's my name. Cowhand—work for old Farrel over at Lazy F beyond the Pass. Never had much of anything exciting happen to me—just punched cows and lit up on payday—until the day I happened to ride through the Pass on my way to town and saw young Buck Tarrant's draw. Now, Buck'd always been a damn good shot. Once he got his gun in his hand he could put a bullet right where he... more...

ACT THE FIRST. SCENE I. The Grove.—Lady Waitfor't's House. Enter Marianne, and Letty, from the House. Mari. But I tell you I will come out—I didn't come to Bath to be confined, nor I won't—I hate all their company, but sweet Miss Courtney's. Letty. I declare, Miss Marianne, you grow worse and worse every day, your country manners will be the ruin of you. Mari. Don't... more...

ADVERTISEMENT. [Prefaced to Edition issued in 1808, edited by Sir Walter Scott.] After the lapse of more than a century since the author's death, the Works of Dryden are now, for the first time, presented to the public in a complete and uniform edition. In collecting the pieces of one of our most eminent English classics,—one who may claim at least the third place in that honoured list, and who... more...

INTRODUCTION The first volume of the present edition of Hauptmann's Dramatic Works is identical in content with the corresponding volume of the German edition. In the second volume The Rats has been substituted for two early prose tales which lie outside of the scope of our undertaking. Hence these two volumes include that entire group of dramas which Hauptmann himself specifically calls social.... more...

INTRODUCTION I Gerhart Hauptmann, the most distinguished of modern German dramatists, was born in the Silesian village of Obersalzbrunn on November 15, 1862. By descent he springs immediately from the common people of his native province to whose life he has so often given the graveness of tragedy and the permanence of literature. His grandfather, Ehrenfried, felt in his own person the bitter fate of... more...

Since Luther, Germany has produced no greater or better man than Gotthold Ephraim Lessing; these two are Germany's pride and joy. This is the witness of Heine, and with Goethe in memory, none would pronounce the statement too bold. Luther and Lessing are Germany's representative men; each inaugurates an epoch the very existence of which would not have been possible without him. Nor is this... more...

Introduction This investigation was prompted by the abiding conviction that Plautus as a dramatic artist has been from time immemorial misunderstood. In his progress through the ages he has been like a merry clown rollicking amongst people with a hearty invitation to laughter, and has been rewarded by commendation for his services to morality and condemnation for his buffoonery. The majority of... more...

THE INVISIBLE CONFLICT Mr. Maeterlinck has lately propounded the theory {*} that what we call the war is neither more nor less than the visible expression of a vast invisible conflict. The unseen forces of good and evil in the universe are using man as a means of contention. On the result of the struggle the destiny of humanity on this planet depends. Is the Angel to prevail? Or is the Beast to prolong... more...

I HER FATHER THE FREE TRADER It was September 9, 189-. From sunrise to sunset through mist, sunshine, shower, and shadow we travelled, and the nearer we drew to our first destination, the wilder the country became, the more water-fowl we saw, and the more the river banks were marked with traces of big game. Here signs told us that three caribou had crossed the stream, there muddy water was still... more...