CHAPTER I A WONDERFUL PLAN "Hello, Dolly," said Dotty Rose, over the telephone. "Hello, Dot," responded Dolly Fayre. "What you want?" "Oh! I can't tell you this way. Come on over, just as quick as you can." "But I haven't finished my Algebra, and it's nearly dinner time, anyway." "No it isn't,—and no matter if it is. Come on, I tell you!... more...

LIFE AND MATTER AT WAR "Comprendre et ne pas s'indigner": this has been said to be the last word of philosophy. I believe none of it; and, had I to choose, I should much prefer, when in presence of crime, to give my indignation rein and not to understand. Happily, the choice has not to be made. On the contrary, there are forms of anger which, by a thorough comprehension of their objects,... more...

PREFACE A collection of about 2000 questions asked by children forms the foundation on which this book is built. Rather than decide what it is that children ought to know, or what knowledge could best be fitted into some educational theory, an attempt was made to find out what children want to know. The obvious way to discover this was to let them ask questions. The questions collected were asked by... more...

TALKS TO TEACHERS In the general activity and uprising of ideal interests which every one with an eye for fact can discern all about us in American life, there is perhaps no more promising feature than the fermentation which for a dozen years or more has been going on among the teachers. In whatever sphere of education their functions may lie, there is to be seen among them a really inspiring amount of... more...

It is characteristic of the atmosphere of legend in which Gabriele d'Annunzio has lived that even the authenticity of his name has been disputed. It was said that his real name was Gaetano Rapagnetta, and the curious will find amongst the Letters of James Huneker the boast that he was the first person to reveal to America the fact that d'Annunzio's name was "Rapagnetto"—a... more...

ESSAYS ON ART "The Adoration of the Magi" There is one beauty of nature and another of art, and many attempts have been made to explain the difference between them. Signor Croce's theory, now much in favour, is that nature provides only the raw material for art. The beginning of the artistic process is the perception of beauty in nature; but an artist does not see beauty as he sees a cow.... more...

PREFACE The title of this book is not ambiguous, but as it relates to a subject rarely thought about by the generality of people, it may save some misapprehension if at once it is plainly stated that the following pages are in vindication of a dietary consisting wholly of products of the vegetable kingdom, and which therefore excludes not only flesh, fish, and fowl, but milk and eggs and products... more...

THE MUSE OF THE DEPARTMENT On the skirts of Le Berry stands a town which, watered by the Loire, infallibly attracts the traveler's eye. Sancerre crowns the topmost height of a chain of hills, the last of the range that gives variety to the Nivernais. The Loire floods the flats at the foot of these slopes, leaving a yellow alluvium that is extremely fertile, excepting in those places where it has... more...

THE TROJAN WOMEN In his clear preface, Gilbert Murray says with truth that The Trojan Women, valued by the usage of the stage, is not a perfect play. "It is only the crying of one of the great wrongs of the world wrought into music." Yet it is one of the greater dramas of the elder world. In one situation, with little movement, with few figures, it flashes out a great dramatic lesson, the... more...

Chapter 1 Sir Walter Elliot, of Kellynch Hall, in Somersetshire, was a man who, for his own amusement, never took up any book but the Baronetage; there he found occupation for an idle hour, and consolation in a distressed one; there his faculties were roused into admiration and respect, by contemplating the limited remnant of the earliest patents; there any unwelcome sensations, arising from domestic... more...