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CHAPTER I. THE TWO POETS OF SAFFRON PARK THE suburb of Saffron Park lay on the sunset side of London, as red and ragged as a cloud of sunset. It was built of a bright brick throughout; its sky-line was fantastic, and even its ground plan was wild. It had been the outburst of a speculative builder, faintly tinged with art, who called its architecture sometimes Elizabethan and sometimes Queen Anne,...
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by:
Sinclair Lewis
CHAPTER I MR. WRENN IS LONELY The ticket-taker of the Nickelorion Moving-Picture Show is a public personage, who stands out on Fourteenth Street, New York, wearing a gorgeous light-blue coat of numerous brass buttons. He nods to all the patrons, and his nod is the most cordial in town. Mr. Wrenn used to trot down to Fourteenth Street, passing ever so many other shows, just to get that cordial nod,...
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by:
Havelock Ellis
IMPRESSIONS AND COMMENTS July 24, 1912.—I looked out from my room about ten o'clock at night. Almost below the open window a young woman was clinging to the flat wall for support, with occasional floundering movements towards the attainment of a firmer balance. In the dim light she seemed decently dressed in black; her handkerchief was in her hand; she had evidently been sick. Every few moments...
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Henry Bradley
INTRODUCTION. The work now for the first time reprinted from Caxton’s original edition has been preserved in three copies. One of these is in the Library of Ripon Cathedral, another in the Spencer Library, now at Manchester, and the third at Bamborough Castle. A small fragment, consisting of pp. 17-18 and 27-28, is in the Bodleian Library. The text of the present edition is taken from the Ripon copy....
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James Mackintosh
Before I begin a course of lectures on a science of great extent and importance, I think it my duty to lay before the public the reasons which have induced me to undertake such a labour, as well as a short account of the nature and objects of the course which I propose to deliver. I have always been unwilling to waste in unprofitable inactivity that leisure which the first years of my profession...
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Chapter I: The House by the Bridge. "Holy Church has never forbidden it," said John Clarke, with a very intent look upon his thoughtful, scholar's face. A young man who stood with his elbow on the mantelshelf, his eye fixed eagerly on the speaker's face, here broke in with a quick impetuosity of manner, which seemed in keeping with his restless, mobile features, his flashing dark...
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Edgar Allan Poe
The Cask of Amontillado by Edgar Allan Poe The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult, I vowed revenge. You, who so well know the nature of my soul, will not suppose, however, that I gave utterance to a threat. At length I would be avenged; this was a point definitely settled—but the very definitiveness with which it was resolved, precluded the...
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Various
THE TSAREVNA FROG In an old, old Russian , I do not know when, there lived a sovereign prince with the princess his wife. They had three sons, all of them young, and such brave fellows that no pen could describe them. The youngest had the name of Ivan . One day their father said to his sons: "My dear boys, take each of you an arrow, draw your strong bow and let your arrow fly; in whatever court...
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Robert Barr
The Mystery of the Five Hundred Diamonds When I say I am called Valmont, the name will convey no impression to the reader, one way or another. My occupation is that of private detective in London, but if you ask any policeman in Paris who Valmont was he will likely be able to tell you, unless he is a recent recruit. If you ask him where Valmont is now, he may not know, yet I have a good deal to do with...
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INTRODUCTORY. The lover of country life who looks upon rural objects in the true spirit, and, for the first time surveys the cultivated portions of the United States, will be struck with the incongruous appearance and style of our farm houses and their contiguous buildings; and, although, on examination, he will find many, that in their interior accommodation, and perhaps relative arrangement to each...
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