I. Florentine painting between Giotto and Michelangelo contains the names of such artists as Orcagna, Masaccio, Fra Filippo, Pollaiuolo, Verrocchio, Leonardo, and Botticelli. Put beside these the greatest names in Venetian art, the Vivarini, the Bellini, Giorgione, Titian, and Tintoret. The difference is striking. The significance of the Venetian names is exhausted with their significance as painters.... more...

MEMOIR OF THOMAS CAMPBELL, ESQ. Of the subject of this memoir, it has been remarked, "that he has not, that we know of, written one line, which, dying, he could wish to blot." These few words will better illustrate the fitness of Mr. Campbell's portrait for our volume, than a laudatory memoir of many pages. He has not inaptly been styled the Tyrtaeus of modern English poetry, and one of... more...

PURPLE PATCHES FROM LORD YORICK'S GREAT BOOK. (Special Review.) Lord Yorick's Reminiscences, just published by the house of Hussell, abound in genial anecdote, in which the "personal note" is lightly and gracefully struck, in welcome contrast to the stodgy political memoirs with which we have been surfeited of late. We append some extracts, culled at random from these jocund pages:—... more...

Ludovick Eversole sat in the golden sunshine outside his house, writing a poem as he watched the street flow gently past him. There were very few people on it, for he lived in a slow part of town, and those who went in for travel generally preferred streets where the pace was quicker. Moreover, on a sultry spring afternoon like this one, there would be few people wandering abroad. Most would be lying... more...

IN WHICH NANNIE IS INTRODUCED.little brown house, with an old elm-tree before it, a frame of lattice-work around the door, with a broad stone for a step—this is where old Grannie Burt lives. And there she is sitting in the doorway with her Bible in her lap. She can't read it, for she is blind; but she likes to have it by her; she likes the "feeling of it," she says. "When my Bible is... more...

The dark clouds which hung yet over the future of Napoleon Bonaparte, the lieutenant of artillery, were gathering in heavier and heavier masses over all France, and already were overshadowing the throne of the lilies. Marie Antoinette had already abandoned the paradise of innocency in Trianon, and when she came there now it was to weep in silence, to cast away the mask from her face, and under the garb... more...

Rembrandt's Etching Technique: An Example A Rembrandt print in the collection of the Smithsonian Institution has been made the subject of a study of the artist's etching technique. The author is associate curator, division of graphic arts, in the Smithsonian Institution's Museum of History and Technology. All footnotes appear at the end of this paper. Rembrandt's print, Landscape... more...

I Little George was making hills of sand in one of the walks; he took it up with both his hands, made it into a pyramid, and then put a chestnut leaf on the top, and his father, sitting on an iron chair was looking at him with concentrated and affectionate attention, and saw nobody but him in that small public garden which was full of people. All along the circular road other children were occupied in... more...

                          DIARY OF SAMUEL PEPYS.                             FEBRUARY & MARCH                                1668-1669 February 1st. Up, and by water from the Tower to White Hall, the first time that I have gone to that end of the town by water, for two or three months, I think, since I kept a... more...

I. It was at Governor Alvarado's house in Monterey that Chonita first knew of Diego Estenega. I had told him much of her, but had never cared to mention the name of Estenega in the presence of an Iturbi y Moncada. Chonita came to Monterey to stand godmother to the child of Alvarado and of her friend Doña Martina, his wife. She arrived the morning before the christening, and no one thought to tell... more...