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CHAPTER I INSOMNIA One afternoon, at low water, Mr. Isbister, a young artist lodging at Boscastle, walked from that place to the picturesque cove of Pentargen, desiring to examine the caves there. Halfway down the precipitous path to the Pentargen beach he came suddenly upon a man sitting in an attitude of profound distress beneath a projecting mass of rock. The hands of this man hung limply over his... more...

CHAPTER 1 How it happened that Mastro Cherry, carpenter, found a piece of wood that wept and laughed like a child. Centuries ago there lived— "A king!" my little readers will say immediately. No, children, you are mistaken. Once upon a time there was a piece of wood. It was not an expensive piece of wood. Far from it. Just a common block of firewood, one of those thick, solid logs that are... more...

High noon at Talbot’s Cross-roads, with the mercury standing at ninety-eight in the shade—though there was not much shade worth mentioning in the immediate vicinity of the Cross-roads post-office, about which, upon the occasion referred to, the few human beings within sight and sound were congregated. There were trees enough a few hundred yards away, but the post-office stood boldly and... more...

INTRODUCTION Gryll Grange, the last and mellowest fruit from Peacock's tree, was, like most mellow fruit, not matured hastily. In saying this I do not refer to the long period—exactly a generation in the conventional sense—which intervened between Crotchet Castle of 1831 and this of 1861. For we know as a matter of fact, from the preface to the 1856 edition of Melincourt, that Peacock was... more...

THE MEETIN' Now is it to be rain or a storm of wind at the Basin? I love that foam out on the sea; those boulders, black and wet along the shore, they are a rest to me; the clouds chase one another; in this dim north country the wind is cool and strong, though it is now midsummer; at sunset you shall see such color! From a little, low, storm-beaten building comes the sound of a fog-horn. That is... more...

THE IRON FURROW The Ventisquero Range stretches across the circumference of one's vision in a procession of mountains that come tall and blue out of the distant north and seemingly march past to vanish in the remote south like azure phantoms. The mountains wall the horizon and dominate the mesa, their black forest-clad flanks crumpled and broken and gashed by cañons, lifting above timber-line... more...

MAKING A FRIEND. Two lads were standing in one of the bastions of a fort looking over the sea. There were neither guards nor sentinels there. The guns stood on their carriages, looking clean and ready for action, but this was not the result of care and attention, but simply because in so dry a climate iron rusts but little. A close examination would have shown that the wooden carriages on which they... more...

by: John Lord
BEACON LIGHTS OF HISTORY. ANCIENT RELIGIONS: EGYPTIAN, ASSYRIAN, BABYLONIAN, AND PERSIAN. It is my object in this book on the old Pagan civilizations to present the salient points only, since an exhaustive work is impossible within the limits of these volumes. The practical end which I have in view is to collate a sufficient number of acknowledged facts from which to draw sound inferences in reference... more...

I. TOBACCO. Tobacco wastes the body. It is used for the nicotine that is in it. This peculiar ingredient is a poisonous, oily, colorless liquid, and gives to tobacco its odor. This odor and the flavor of tobacco are developed by fermentation in the process of preparation for use. "Poison" is commonly defined as "any substance that when taken into the system acts in an injurious manner,... more...

PREFACE. In issuing this second treatise on Crayon Portraiture, Liquid Water Colors and French Crystals, for the use of photographers and amateur artists, I do so with the hope and assurance that all the requirements in the way of instruction for making crayon portraits on photographic enlargements and for finishing photographs in color will be fully met. To these I have added complete instructions for... more...