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CHAPTER I Venetian painting in its prime differs altogether in character from that of every other part of Italy. The Venetian is the most marked and recognisable of all the schools; its singularity is such that a novice in art can easily, in a miscellaneous collection, sort out the works belonging to it, and added to this unique character is the position it occupies in the domain of art. Venice alone... more...

INTRODUCTION Where did we come from?What are we doing here?Whither are we going? These questions have puzzled thinking people since consciousness first dawned in the brain. Many have sought to answer them, so why not I?—with the hope that the reading of this book will arouse in the minds of the readers thoughts that will enable them to answer these questions for themselves. Were you suddenly to find... more...

PREFACE TO THE EDITION OF 1887. The following lectures were the most important piece of my literary work done with unabated power, best motive, and happiest concurrence of circumstance. They were written and delivered while my mother yet lived, and had vividest sympathy in all I was attempting;—while also my friends put unbroken trust in me, and the course of study I had followed seemed to fit me for... more...

n other eras he might have been described as swacked, stewed, stoned, smashed, crocked, cockeyed, soused, shellacked, polluted, potted, tanked, lit, stinko, pie-eyed, three sheets in the wind, or simply drunk. In his own time, Major Joseph Mauser, Category Military, Mid-Middle Caste, was drenched. Or at least rapidly getting there. He wasn't happy about it. It wasn't that kind of a binge. He... more...

CHAPTER I. INSURANCE AGAINST DEATH AND DISABILITY. The distinction between systems of insurance on the one hand and systems of death benefits on the other is not so much one of quality as of quantity. Legally the distinction lies in the fact that in the case of insurance a signed contract known as a policy is given to the insured, while in the case of a benefit no policy is issued. This difference is... more...

"Keep her above three hundred meters on the approach." Ramirez's hard voice cut through the roar of the 2,200-hp Isotov turboshafts. Down below, the cold, dusk-shrouded Aegean churned with a late autumn storm. "Any lower and there'll be surface effect." "I'm well aware of that," the Iranian pilot muttered, a sullen response barely audible above the... more...

by: Mor Jokai
CHAPTER IA HUNTING PARTY IN THE YEAR 1666 Before we cross the Kiralyhago, let us cast a parting glance at Hungary. I will unroll before your eyes a scene, partly the result of an adverse fate, partly of a dark mystery, representing joy and also deep sorrow. An incident of a moment becomes the turning-point of a whole century. My soul is saddened by the images thus conjured up; the figures out of the... more...

CRITICAL INTRODUCTION Domi mansit, lanam fecit: "He remained at home and wrote," is the first thing that should be said of Gustave Flaubert. This trait, which he shares with many of the writers of his generation,—Renan, Taine, Leconte de Lisle and Dumas fils,—distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and... more...

The Memoirs of Casanova, though they have enjoyed the popularity of a bad reputation, have never had justice done to them by serious students of literature, of life, and of history. One English writer, indeed, Mr. Havelock Ellis, has realised that 'there are few more delightful books in the world,' and he has analysed them in an essay on Casanova, published in Affirmations, with extreme care... more...

by: Mor Jokai
Chapter I Choosing a King The storm had spent itself, the sea was calm again, and on its smooth surface tossed empty casks and shattered masts,—the monuments of shipwrecked vessels. The stormy petrels had vanished with the tempest, and the flying fish were now making their clumsy leaps from wave to wave,—a sign of fair weather. A brigantine which had outlived the gale was moving slowly over the... more...