I THE AESTHETIC HYPOTHESIS It is improbable that more nonsense has been written about aesthetics than about anything else: the literature of the subject is not large enough for that. It is certain, however, that about no subject with which I am acquainted has so little been said that is at all to the purpose. The explanation is discoverable. He who would elaborate a plausible theory of aesthetics must... more...

The day had scarcely dawned.--Over Vesuvius hung one broad grey stripe of mist; stretching across as far as Naples, and darkening all the small towns along the coast. The sea lay calm. But about the marina of the narrow creek, that lies beneath the Sorrento cliffs, fishermen and their wives were at work already, with giant cables drawing their boats to land, and the nets that had been cast the night... more...

CHAP. I. What a Poet and Poesie is, and who may be worthily sayd the most excellent Poet of our time. A Poet is as much to say as a maker. And our English name well conformes with the Greeke word: for of [Greek: poiein] to make, they call a maker Poeta. Such as (by way of resemblance and reuerently) we may say of God: who without any trauell to his diuine imagination, made all the world of nought, nor... more...

CHAPTER I. One pleasant October evening, Arthur Hamilton was at play in front of the small, brown cottage in which he lived. He and his brother James, were having a great frolic with a large spotted dog, who was performing a great variety of antics, such as only well-educated dogs understand. But Rover had been carefully initiated into the mysteries of making a bow while standing on his hind legs,... more...

When some years ago we took the liberty, in a volume of our so-called "Confessions," to introduce to our reader's acquaintance the gentleman whose name figures in the title page, we subjoined a brief notice, by himself, intimating the intention he entertained of one day giving to the world a farther insight into his life and opinions, under the title of "Loiterings of Arthur... more...

I The human race was born in slavery, totally subservient to nature. The earliest primitive beings feasted or starved according to nature's bounty and sweltered or shivered according to the weather. When night fell they sought shelter with animal instinct, for not only were activities almost completely curtailed by darkness but beyond its screen lurked many dangers. It is interesting to... more...

EARLY ART SCHOOLS IN ENGLAND. harles the First appears to have been the first English Sovereign who regarded art, not merely as an aid to the splendour of the throne, but for its own sake. As Walpole says, 'Queen Elizabeth was avaricious with pomp, James the First lavish with meanness.' To neither had the position of the painter been a matter of the slightest concern. But from Charles the... more...

Whatever value this publication may have, lies in the fact that it offers a typical case—a small cross section of the army that freed the slave and saved the Union. The Editor of the Commission's publications has asked me to state briefly something about myself. I am one of the multitude of "hyphenated" Americans, born across the water but reared under the flag. I am a Cambro-American,... more...

CHAPTER I. A GENTLEMAN THINKS HE CAN COMMIT A CRIME AND ESCAPE DETECTION. "Jack Barnes never gets left, you bet." "That was a close call, though," replied the Pullman porter who had given Mr. Barnes a helping hand, in his desperate effort to board the midnight express as it rolled out of Boston. "I wouldn't advise you to jump on moving trains often." "Thank you for your... more...

ARTIST AND PUBLIC In the history of art, as in the history of politics and in the history of economics, our modern epoch is marked off from all preceding epochs by one great event, the French Revolution. Fragonard, who survived that Revolution to lose himself in a new and strange world, is the last at the old masters; David, some sixteen years his junior, is the first of the moderns. Now if we look for... more...