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ACT I. Scene 1—Drawing room in 3. Trenchard Manor, C. D., backed by interior, discovering table with luncheon spread. Large French window, R. 3 E., through which a fine English park is seen. Open archway, L. 3 E. Set balcony behind. Table, R., books and papers on it. Work basket containing wools and embroidery frame. A fashionable arm chair and sofa, L. 2 E., small table near C. D. Stage handsomely... more...

THE STOKER'S CATECHISM. 1. Question.—How would you proceed to get steam up in a boiler? Answer.—Having filled the boiler with water to the usual height, that is to say, about four inches over the crown of the fire-tube, I throw in several shovelfuls of coal or coke towards the bridge, left and right, keeping the centre clear; then I place the firewood in the centre, throw some coals on it,... more...

by: Zoe Blade
"Flat-chested Faye, flat-chested Faye," chanted the girls on the table next to Faye and Rebecca's. The large hall smelled of cabbages, potatoes and baked beans, and everyone else was talking and eating and moving chairs so loudly that Faye could hardly hear herself think. "Just ignore them," suggested Rebecca. Faye didn't say anything. She opened her lunchbox and fished around... more...

by: John Fox
I. THE BLIGHT IN THE HILLS High noon of a crisp October day, sunshine flooding the earth with the warmth and light of old wine and, going single-file up through the jagged gap that the dripping of water has worn down through the Cumberland Mountains from crest to valley-level, a gray horse and two big mules, a man and two young girls. On the gray horse, I led the tortuous way. After me came my small... more...

PREFACE These chapters were begun the day after I got back to New York from the Atlanta penitentiary, and went on from day to day to the end. I did not know, at the start, what the thing would be like at the finish, and I made small effort to make it look shapely and smooth; but the inward impulse in me to write it, somehow, was irresistible, in spite of the other impulse to go off somewhere and rest... more...

by: Various
Part I."España de la guerraTremola la pendon." Cancion Patriotica. It wanted about an hour of sunset on the last day of September 1833, when two young men, whose respective ages did not much exceed twenty years, emerged from a country lane upon the high-road from Tarazona to Tudela, in that small district of Navarre which lies south of the river Ebro. The equipments of the travellers—for... more...

The big armor-tender vibrated, gently and not unpleasantly, as the contragravity field alternated on and off. Sometimes it rocked slightly, like a boat on the water, and, in the big screen which served in lieu of a window at the front of the control-cabin, the dingy-yellow landscape would seem to tilt a little. The air was faintly yellow, the sky was yellow with a greenish cast, and the clouds were... more...

by: Various
THE MYSTERY OF MR. E. DROOD. AN ADAPTATION. BY ORPHEUS C. KERR. CHAPTER XV. "SPOTTED." When the bell of St. Cow's began ringing for Ritualistic morning-service, with a sound as of some incontinently rambling dun spinster of the lacteal herd—now near at hand in cracked dissonance, as the wind blows hither; now afar, in tinkling distance, as the wind blows... more...

CHAPTER I I was laughed at for nearly twenty years because I stammered. I found school a burden, college a practical impossibility and life a misery because of my affliction. I was born in Wabash county, Indiana, and as far back as I can remember, there was never a time when I did not stammer or stutter. So far as I know, the halting utterance came with the first word I spoke and for almost twenty... more...

by: Various
While living in the neighborhood of Chelsea, we determined to look upon the few broken walls that once inclosed the residence of Sir Thomas More, a man who, despite the bitterness inseparable from a persecuting age, was of most wonderful goodness as well as intellectual power. We first read over the memories of him preserved by Erasmus, Hoddesdon, Roper, Aubrey, his own namesake, and others. It is... more...