STORIES FOR CHILDREN THREE AND FOUR YEARS OLD. The arrangement is in the order of degree of difficulty. Where the title would naturally appear in the library catalogue, the author's name only is given. Where a title appears in several lists, the source is given only in one, which is indicated by giving the page number in bold face type preceding title in the index at the end of this pamphlet. Many... more...

CHAPTER I EXCITEMENT IN THE FOOTHILLS The foothills of the Kentucky Mountains echoed to the strains of a rollicking college song, as Grace Harlowe's Overland Riders rode into a laurel-bordered clearing and dismounted to make their first camp of this, their third summer's outing in the saddle. Only one of the party remained on his mount. This one was Washington Washington, the colored boy that... more...

CHAPTER I THE LONE FIGURE The night was bleak and cold. All through the melancholy, cheerless day, the first chill of autumn had been in the air. Toward evening the clouds had parted, showing a steel-colored sky in which the sun went down a great red ball, tinting the foliage across the river with a glow of crimson. A sun full of rich light but no heat. The air was heavy with the pungent fragrance of... more...

THE VISITOR'S SHADOW. Randal Bellamy's country house was a place of pleasant breakfasts. From the dining room the outlook was delightful; grass, flowers and sunshine, with the host's easy charm, made it almost as easy for Theophilus Caldegard to drink his tea fresh, as for his daughter Amaryllis not to keep her host, Sir Randal, waiting for his coffee. This morning, while she waited for... more...

CHAPTER I. THE BIRCH-BARK MESSAGE. "Hold on, boys; here's a stick standing upright in the trail. And look, fellows, there's a piece of nice new birch bark held fast in the cloven end, that grips it like the jaws of a vise." "Say, it's a message, all right." "And from our crack-a-jack pathfinder, Elmer Chenowith, too, I warrant you." "What do you say, Matty? Is... more...

TRISTAN AND ISOLDA. ACT I. [A pavilion erected on the deck of a ship, richly hung with tapestry, quite closed in at back at first. A narrow hatchway at one side leads below into the cabin.] SCENE I. ISOLDA on a couch, her face buried in the cushions.— BRANGÆNA holding open a curtain, looks over the side of the vessel. THE VOICE OF A YOUNG SAILOR (from above as if at the mast-head).   ISOLDA... more...

INTRODUCTION Gay's concern in his survey of The Present State of Wit is with the productions of wit which were circulating among the coffee-houses of 1711, specifically the large numbers of periodical essays which were perhaps the most distinctive kind of "wit" produced in the "four last years" of Queen Anne's reign. His little pamphlet makes no pretence at an analysis of true... more...

"Now that corpse," said the undertaker, patting the folded hands of deceased approvingly, was a brick-every way you took him he was a brick. He was so real accommodating, and so modest-like and simple in his last moments. Friends wanted metallic burial-case—nothing else would do. I couldn't get it. There warn't going to be time—anybody could see that. "Corpse said never mind,... more...

ESTHER AND BRUIN Faith Carew was ten years old when Esther Eldridge came to visit her. Faith lived in a big comfortable log cabin on one of the sloping hillsides of the Green Mountains. Below the cabin was her father’s mill; and to Faith it always seemed as if the mill-stream had a gay little song of its own. She always listened for it when she awoke each morning. “I wonder if Esther will hear what... more...

CHAPTER I LANCASTER GATE, LONDON, W "Do the beastly old map yourself, if you want it. I shan't, anyhow!" "Wilfred!" "Aw, Wil-fred!" The boy at the end of the schoolroom table, red-haired, snub-nosed and defiant, mimicked the protesting tone. "I've done it once, and I'm blessed if I do it again." "No one would dream that it was ever meant for... more...