CHAPTER I THE YOUNG MAN NEXT DOOR My story begins with an incident that is bound to happen some time in any household that boasts—or perhaps deplores—a high-spirited girl of twenty-three in it. It begins with "a row" about a young man. My story begins, too, where the first woman's story began—in a garden. It was the back garden of our red-roofed villa in that suburban street,... more...

CHAPTER I THE PROBLEM OF THE CRITIQUE The problem of the Critique may be stated in outline and approximately in Kant's own words as follows. Human reason is called upon to consider certain questions, which it cannot decline, as they are presented by its own nature, but which it cannot answer. These questions relate to God, freedom of the will, and immortality. And the name for the subject which... more...

CHAPTER I The sun shone, that morning, and even from a city office window the Spring wind could be felt, sweet and keen and heady, making you feel that you wanted to be out in it, laughing, facing toward the exciting, happy things Spring was sure to be bringing you, if you only went a little way to meet them—just a little way! Marjorie Ellison, bending over a filing cabinet in a small and solitary... more...

TO MY AUDIENCE SAINTS, SINNERS, AND IN-BETWEENS Before you enter the confines of "Frenzied Finance," here spread out—for your inspection, at least; enlightenment, perhaps—halt one brief moment. If the men and things to be encountered within are real—did live or live now—you must deal with them one way. If these embodiments are but figments of my mind and pen, you must regard them from a... more...

A FOREWORD When the first Miscellany of American Poetry appeared in 1920, innumerable were the questions asked by both readers and reviewers of publishers and contributors alike. The modest note on the jacket appeared to satisfy no one. The volume purported to have no editor, yet a collection without an editor was pronounced preposterous. It was obviously not the organ of a school, yet it did not seem... more...

CHAPTER ITHE OPEN PORT 'Fun!' said Ken Carrington, as he leaned over the rail of the transport, 'Cardigan Castle,' and watched the phosphorescent waters of the Aegean foaming white through the darkness against her tall side. 'Fun!' he repeated rather grimly. 'You won't think it so funny when you find yourself crawling up a cliff with quick-firers barking at you... more...

The ladies of St. James’s Go swinging to the play; Their footmen run before them With a “Stand by! Clear the way!” But Phyllida, my Phyllida! She takes her buckled shoon. When we go out a-courting Beneath the harvest moon. The ladies of St. James’s! They are so fine and fair, You’d think a box of essences Was broken in the air: But Phyllida, my Phyllida! The breath of heath and furze When... more...

ATHALIA HALL stopped to get her breath and look back over the road climbing steeply up from the covered bridge. It was a little after five, and the delicate air of dawn was full of wood and pasture scents—the sweetness of bay and the freshness of dew-drenched leaves. In the valley night still hung like gauze under the trees, but the top of the hill was glittering with sunshine. "Why, we've... more...

INTRODUCTION. BY THE AUTHOR OF "GOLDEN STEPS," &c. Works of fiction are to be approved when they subserve the interests of morality and religion. The Scriptures of the Old and New Testaments—the ancient classics—the most distinguished productions of modern ages—afford striking illustrations of the beautiful and instructive lessons of virtue and piety, which may be conveyed in fabulous... more...

PREFACE. Some eighteen months ago I took this brilliant bunch of brain burrs to my esteemed Publisher and with much enthusiasm invited him to spend a lot of money thereon. The Main Stem in the Works informed me that he had his fingers on the public pulse and just as soon as that pulse began to jump and yell for something from my fiery pen he would throw the Silly Syclopedia at it. Then he placed my MS.... more...