ACT ONE Scene.—The Island Leucadia. A ruined temple of Apollo near the town of Pharo. Broken columns and stones are strewn, or stand desolately about. It is night—the moon rising. Antonio, who has been waiting impatiently, seats himself on a stone. By a road near the ruins Fulvia enters, cloaked.Antonio(turning): Helen——!Fulvia:A comely name, my lord.Antonio:Ah, you?My father's... more...

ANTONIO FOGAZZARO AND HIS MASTERPIECEISenator Fogazzaro, in The Saint, has confirmed the impression of his five and twenty years' career as a novelist, and now, through the extraordinary power and pertinence of this crowning work, he has suddenly become an international celebrity. The myopic censors of the Index have assured the widest circulation of his book by condemning it as heretical. In the... more...

Upon the steep slope of a certain "bald" among the Great Smoky Mountains there lie, just at the verge of the strange stunted woods from which the treeless dome emerges to touch the clouds, two great tilted blocks of sandstone. They are of marked regularity of shape, as square as if hewn with a chisel. Both are splintered and fissured; one is broken in twain. No other rock is near. The earth in... more...

NOTES. ROBERD THE ROBBER. In the Vision of Piers Ploughman are two remarkable passages in which mention is made of "Roberd the robber," and of "Roberdes knaves." "Roberd the robbere, On Reddite loked, And for ther was noght wherof He wepte swithe soore." Wright's ed., vol. i. p. 105. "In glotonye, God woot, Go thei to bedde, And risen with ribaudie, The Roberdes... more...

The Happy Thought, as will be remembered by those who have read "The Longmeadow Toll-Gate," was a new departure in bicycle construction. Although provided with pedals that could be used in an emergency, its real motive-power was derived from naphtha applied through a pair of cylinders built upon a modification of the hot-air principle, and working directly upon the rear wheel. The oil was... more...

PREFACE. As this volume, although not the first in chronological order, is likely to be the first to appear in the Series of which it forms part, and of which the author has the honour to be editor, it may be well to say a few words here as to the scheme of this Series generally. When that scheme was first sketched, it was necessarily objected that it would be difficult, if not impossible, to obtain... more...

I. NOTES ON THE FUNCTION OF METAPHOR The business of the writer is to arouse in the mind of his reader the fullest possible consciousness of the ideas or emotion that he is expressing. To this end he suggests a comparison between it and something else which is similar to it in respect of those qualities to which he desires to draw attention. The reader's mind at once gets to work unconsciously on... more...

EXPLANATION. If nearly Forty Years' Residence in the Isle of Wight may be allowed in some degree to qualify an Artist for the office of Guide, the Author has a fair claim to public patronage,—for few could have had better opportunity of acquiring local information. He has endeavoured to render The Picture an intelligent Cicerone, without being too garrulous or grandiloquous,—but always... more...

INTRODUCTION. Before the perusal of this book is entered upon, it seems desirable that I should myself state to the reader, what led me to undertake these missionary tours. It may be well to refer also to the objects I had particularly in view in connection with them; to mention how far the desired result has been attained; and to notice a few other points relating to these journeys. During many years... more...

THE CATASTROPHIC FAMILY I was christened Margarine, of course, but in my own circle I have always been known as Marge. The name is, I am informed, derived from the Latin word margo, meaning the limit. I have always tried to live right up to it. We were a very numerous family, and I can find space for biographical details of only a few of the more important. I must keep room for myself. My elder sister,... more...