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CHAPTER IThe Lady in the Stage Box "Hullo, old chap! Who would ever have thought of seeing you here to-night? What's brought you back to civilisation again?" I turned suddenly, surprised by the sound of a familiar voice in my ear. It was the night of Christmas Eve, and I was just entering the lobby of the St. James's, the first time, as it happened, I had seen the inside of a theatre... more...

THE WOMAN OF STONE. Lurine, was pretty, petite, and eighteen. She had a nice situation at the Pharmacie de Siam, in the Rue St. Honoré. She had no one dependent upon her, and all the money she earned was her own. Her dress was of cheap material perhaps, but it was cut and fitted with that daintiness of perfection which seems to be the natural gift of the Parisienne, so that one never thought of the... more...

OLDPORT IN WINTER. Our August life rushes by, in Oldport, as if we were all shot from the mouth of a cannon, and were endeavoring to exchange visiting-cards on the way. But in September, when the great hotels are closed, and the bronze dogs that guarded the portals of the Ocean House are collected sadly in the music pavilion, nose to nose; when the last four-in-hand has departed, and a man may drive a... more...

CHAPTER I THE DAY BEFORE It was the last day of February, the extra day, dead still, and biting cold, with thick, lead-colored skies shading down to inky blue at the western horizon. In the ravine below John Watson's house trees cracked ominously in the frost, and not even a rabbit was stirring. The hens had not come out, though an open door had extended an invitation, and the tamworths had... more...

The Pied Piper Newtown, or Franchville, as 't was called of old, is a sleepy little town, as you all may know, upon the Solent shore. Sleepy as it is now, it was once noisy enough, and what made the noise was—rats. The place was so infested with them as to be scarce worth living in. There wasn't a barn or a corn-rick, a store-room or a cupboard, but they ate their way into it. Not a cheese... more...

by: Various
THE GREAT FAILURE. The crucial fact, in this epoch of commercial catastrophes, is not the stoppage of Smith, Jones, and Robinson,—nor the suspension of specie payments by a greater or less number of banks,—but the paralysis of the trade of the civilized globe. We have had presented to us, within the last quarter, the remarkable, though by no means novel, spectacle of a sudden overthrow of... more...

VAGABONDIA. Off with the fettersThat chafe and restrain!Off with the chain!Here Art and Letters,Music and wine,And Myrtle and Wanda,The winsome witches,Blithely combine.Here are true riches,Here is Golconda,Here are the Indies,Here we are free—Free as the wind is,Free, as the sea.Free! Houp-la! What have weTo do with the wayOf the Pharisee?We go or we stayAt our own sweet will;We think as we say,And... more...

He knew the theory of repairing the gizmo all right. He had that nicely taped. But there was the little matter of threading a wire through a too-small hole while under zero-g, and working in a spacesuit! MacNamara ambled across the loading ramp, savoring the dry, dusty air that smelled unmistakable of spaceship. He half-consciously separated the odors; the sweet, volatile scent of fuel, the sharp aroma... more...

A PRELIMINARY WORD The writer of this Tale ventures, in his own person, to address a very few words, chiefly of explanation, to his readers. A leading situation in this 'Story of Bartram-Haugh' is repeated, with a slight variation, from a short magazine tale of some fifteen pages written by him, and published long ago in a periodical under the title of 'A Passage in the Secret History of... more...

FLASHPOINT 1The moon has a larderand a kitchen,wears a nightcapas Father in the Night Before Christmas. The moon hoards pistachios,marzipancommands the shadowsis mustachioedsleeps in a sloop(at least when I look)like the boatowl and pussycattook to sea. 3And on country nightsin high summerfishing nets seem drawnabout his face,reveal ribbons of light,eerie panhandlers grubbing quarters;a sinister sailor... more...