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I. O'er royal London, in luxuriant May,While lamps yet twinkled, dawning crept the day.Home from the hell the pale-eyed gamester steals;Home from the ball flash jaded Beauty's wheels;The lean grimalkin, who, since night began,Hath hymn'd to love amidst the wrath of man,Scared from his raptures by the morning star,Flits finely by, and threads the area bar;From fields suburban rolls the... more...

Chapter i. In which the history looks backwards. Before we proceed farther with our history it may be proper to look back a little, in order to account for the late conduct of Doctor Harrison; which, however inconsistent it may have hitherto appeared, when examined to the bottom will be found, I apprehend, to be truly congruous with all the rules of the most perfect prudence as well as with the most... more...

olonel Ilya Simonov tooled his Zil aircushion convertible along the edge of Red Square, turned right immediately beyond St. Basil's Cathedral, crossed the Moscow River by the Moskvocetski Bridge and debouched into the heavy, and largely automated traffic of Pyarnikskaya. At Dobryninskaya Square he turned west to Gorki Park which he paralleled on Kaluga until he reached the old baroque palace which... more...

I When Hugh Seymour was nine years of age he was sent from Ceylon, where his parents lived, to be educated in England. His relations having, for the most part, settled in foreign countries, he spent his holidays as a very minute and pale-faced "paying guest" in various houses where other children were of more importance than he, or where children as a race were of no importance at all. It was... more...

CHAPTER I.  Three Editors Let the reader be introduced to Lady Carbury, upon whose character and doings much will depend of whatever interest these pages may have, as she sits at her writing-table in her own room in her own house in Welbeck Street.  Lady Carbury spent many hours at her desk, and wrote many letters,—wrote also very much beside letters.  She spoke of herself in these days as a woman... more...

INTRODUCTION The seven volumes of the first edition of Clarissa were published in three instalments during the twelve months from December 1747 to December 1748. Richardson wrote a Preface for Volume I and a Postscript for Volume VII, and William Warburton supplied an additional Preface for Volume III (or IV).A second edition, consisting merely of a reprint of Volumes I-IV was brought out in 1749. In... more...

CHAPTER I Value of Scientific Knowledge.—In the practice of any intelligent occupation or art, in so far as the practice attains to perfection, there are manifested in the processes certain scientific principles and methods to which the work of the one practising the art conforms. In the successful practice, for example, of the art of composition, there are manifested the principles of rhetoric; in... more...

Here, if I cut my coat according to my cloth, t should have a garment which this whole volume would hardly stuff out with its form; and I have a fancy that if I begin by answering, as I have sometimes rather too succinctly done, that we have no more a single literary centre than Italy or than Germany has (or had before their unification), I shall not be taken at my word. I shall be right, all the same,... more...

TO THE MEMORY OF A BELOVED SON WHO PASSED FROM EARTH, APRIL 3rd, 1887. I would gaze down the vista of past years,In fancy see to-night,A loved one passed from sight,But whose blest memory my spirit cheers. Shrined in the sacred temple of my soul,He seems again to live,And fond affection give,His mother's heart comfort and console. Perception of the beautiful and bright,In nature and in art,Evolved... more...

How the Play came to be Written I had better explain why, in this little piece d'occasion, written for a performance in aid of the funds of the project for establishing a National Theatre as a memorial to Shakespear, I have identified the Dark Lady with Mistress Mary Fitton. First, let me say that I do not contend that the Dark Lady was Mary Fitton, because when the case in Mary's favor (or... more...