CHAPTER I FACING THE PROBLEM One way of averting what I have called the irrepressible conflict is to insist that, in view of the fundamental change of attitude toward the whole problem, the family is doomed. Even if the family were doomed, some time would elapse before its doom would utterly have overtaken the home. In truth, the family is not doomed quite yet, though certain views with respect to the... more...

It may surprise some people to learn that in 1915 this little play was a recruiting poster in disguise. The British officer seldom likes Irish soldiers; but he always tries to have a certain proportion of them in his battalion, because, partly from a want of common sense which leads them to value their lives less than Englishmen do [lives are really less worth living in a poor country], and partly... more...

INTRODUCTION Phillips Brooks once told the boys at Exeter that in reading biography three men meet one another in close intimacy—the subject of the biography, the author, and the reader. Of the three the most interesting is, of course, the man about whom the book is written. The most privileged is the reader, who is thus allowed to live familiarly with an eminent man. Least regarded of the three is... more...

A VISIT TO THE CREUSOT WORKS. Here we are at the great forge (Fig. 1), that wonderful creation which has not its like in France, that gigantic construction which iron has wholly paid for, and which covers a space of twenty-four acres. We first remark two puddling halls, each of which contains 50 furnaces and 9 steam hammers. It is in these furnaces that the iron is puddled. The ball or bloom thus... more...

CHAPTER I Patty Sinclair reined in her horse at the top of a low divide and gazed helplessly around her. The trail that had grown fainter and fainter with its ascent of the creek bed disappeared entirely at the slope of loose rock and bunch grass that slanted steeply to the divide. In vain she scanned the deeply gored valley that lay before her and the timbered slopes of the mountains for sign of human... more...

I "All talk on modern poetry, by people who know," wrote Mr. Carl Sandburg in Poetry, "ends with dragging in Ezra Pound somewhere. He may be named only to be cursed as wanton and mocker, poseur, trifler and vagrant. Or he may be classed as filling a niche today like that of Keats in a preceding epoch. The point is, he will be mentioned." This is a simple statement of fact. But though... more...

I INTRODUCTORY The following Studies and Notes, made during the earlier period of the present war and now collected together for publication, do not—as will be evident to the reader—pretend to any sort of completeness in their embrace of the subject, or finality in its presentation. Rather they are scattered thoughts suggested by the large and tangled drama which we are... more...

ACT THE FIRST. SCENE I. THE TOWER. Enter the Duke of Gloster, Sir Richard Ratcliffe, and Catesby. Glos.Thus far success attends upon our councils,And each event has answer'd to my wish;The queen and all her upstart race are quell'd;Dorset is banish'd, and her brother Rivers,Ere this, lies shorter by the head at Pomfret.The nobles have, with joint concurrence, nam'd meProtector of... more...

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CHAPTER I “LAST SEEN AT VICTORIA!” Alice, Lady Dyke, puckered her handsome forehead into a thoughtful frown as she drew aside the window-curtains of her boudoir and tried to look out into the opaque blackness of a November fog in London. Behind her was cheerfulness—in front uncertainty. Electric lights, a nice fire reflected from gleaming brass, the luxury of carpets and upholstery, formed an... more...