Whatever is good in interior decoration is the result of consistent relationship between Light, Color, Form, Proportion and Dimensions. The choice of Color should be guided by the conditions of Light. The beauty of Form and the symmetry of Proportion can exist only by a balance with Dimensions. Therefore, apart from any knowledge of historic or period decoration, effective or successful work must... more...

CHAPTER I A SON OF THE WEST Out of the brooding darkness was born the first timid blush of the morn. It sprang to life along the serried edge of the Medicine Bow, a broadening band of blood-red light. For one instant it seemed that some titan breath had blown at the source, darkening the red to purple; and then, with startling suddenness, the whole wide range flamed up. The full red rim of the sun... more...

enry Kuran answered a nod here and there, a called out greeting from a desk an aisle removed from the one along which he was progressing, finally made the far end of the room. He knocked at the door and pushed his way through before waiting a response. There were three desks here. He didn't recognize two of the girls who looked up at his entry. One of them began to say something, but then Betty,... more...

SQUAD DRILL Our Sergeant looked at us contemptuously and we looked anxiously back at him. Then he gave his first instructions: "Now I'm goin' ter show yer 'ow ter do squad drill. It's quite heasy—yer've only got ter use a bit o' common sense an' do hexac'ly as I tell yer. Now we'll start wi' the turns. When I gives the order Right Turn, yer turn... more...

COME LASSES AND LADS Come Lasses and Lads, get leave of your Dads, And away to the May-pole hey: For every heHas got him a she,with a minstrel standing by. ForWillyhas gotten hisJill,And Johnnyhas got hisJone,To jigg it, jigg it, jigg it, jigg it,Jigg it up and down. "Strike up," saysWatt; "Agreed," saysKate,"And I prithee, Fiddler, play;""Content," saysHodge, and so... more...

THE window of Randolph Reed's office was almost completely covered by magnificent gold block lettering. This to any one who had time and ability to read it—and the former was more common in the community than the latter—conveyed the information that Reed dealt in every kind of real estate, from country palaces to city flats. The last item was put in more for the sake of symmetry than accuracy,... more...

CHAPTER I I There should be no sight more happy than a young man riding to meet his love. His eyes should shine, his lips should sing; he should slap his mare upon her shoulder and call her his darling. The puddles upon his way should be turned to pure gold, and the stream that runs beside him should chatter her name. Yet, as Robin rode to Marjorie none of these things were done. It was a still day of... more...

Ludvig Holberg is generally considered the most remarkable of Danish writers. Though he produced books on international law, finance, and history, as well as satires, biographies, and moral essays, he is chiefly celebrated for his comedies, which still—nearly two hundred years after then composition—delight large audiences in Denmark, and bid fair to be immortal. These comedies were the fruit of... more...

CHAPTER I THE VIRTUOUS HYPOCRITES AT first sight they had as little reason for being unhappy as it is possible to have in a world half full of sorrow. They were young and healthy; half a dozen times they had each declared the other more than common good-looking; they both had, and never knew what it was not to have, money enough for comfort and, in addition that divine little superfluity wherefrom joys... more...

ACT I. SCENE I. Mme. de Sallus in her drawing-room, seated in a corner by the fireplace. Enter Jacques de RANDOL noiselessly; glances to see that no one is looking, and kisses Mme. de Sallus quickly upon her hair. She starts; utters a faint cry, and turns upon him. MME. DE SALLUS Oh! How imprudent you are! JACQUES DE RANDOL Don't be afraid; no one saw me. MME. DE SALLUS But the servants! JACQUES... more...