One side of the ravine was in darkness. The darkness was soft and rich, suggesting thick foliage. Along the crest of the slope tree-tops came into view—great pines and hemlocks of the ancient unviolated forest—revealed against the orange disk of a full moon just rising. The low rays slanting through the moveless tops lit strangely the upper portion of the opposite steep,—the western wall of the... more...

LION’s MASQUERADE.AsAurora stept forth from the gates of the East,With her garland of roses, and dew-spangled vest,A clamour unusual assaulted her ear,Instead of the Lark, and her friend Chanticleer,At least though their voices she sometimes could trace,They seem’d overpower’d by the whole feather’d race:And such was the chirping, and fluttering then,It rouz’dan old Lionasleep in his... more...

CHAPTER I. INSOMNIA One afternoon, at low water, Mr. Isbister, a young artist lodging at Boscastle, walked from that place to the picturesque cove of Pentargen, desiring to examine the caves there. Halfway down the precipitous path to the Pentargen beach he came suddenly upon a man sitting in an attitude of profound distress beneath a projecting mass of rock. The hands of this man hung limply over his... more...

ISAIAH. Isaiah (in Hebrew, Yeshayahu, "Salvation of God"), the earliest and most sublime of the four greater Hebrew prophets, was the son of Amoz (2 Kings xix, 2-20; Isaiah xxxvii, 2), and he uttered his oracles during the reigns of Uzziah, Jotham, Ahaz, and Hezekiah, kings of Judah. The dates of his birth and death are unknown, but he lived from about 760 B.C. to about 700 B.C. He was married... more...

RENEWAL REGISTRATIONS—LITERATURE, ART, FILM An alphabetical list under title of all works (with the exception of musical compositions) in which the renewal copyright was registered during the period covered by this catalog. Included in the list are cross-references from all essential names associated with the work and from variant forms of these names. A. E. UHE, by Frederick H. Martens. (Little... more...

"That is your ultimatum, Glamorgan? My boy for your girl or you scoop up my possessions and transfuse them into yours?" Peter Courtlandt tapped the arm of his chair nervously as he regarded the man who sat opposite in front of the fire. The two men were in striking contrast. Courtlandt seemed a component part of the room in which they sat, a room which with its dull, velvety mahogany, its... more...

CHAPTER I Christopher Mark Antony Burton was a tremendously imposing name to give a baby. When he lay in his crib, wee and helpless, he looked as if he might never survive the weight of it. Even later, when he began to toddle about on his small, unsteady feet, the sonorous pseudonym trailed in his wake, threatening to drag him down to an early grave. Nevertheless his father protested against the burden... more...

CHAPTER XXI Gossip from one or two quarters, which reached Captain Nugent's ears through the medium of his sister, concerning the preparations for his son's marriage, prevented him from altering his mind with regard to the visits of Jem Hardy and showing that painstaking young man the door. Indeed, the nearness of the approaching nuptials bade fair to eclipse, for the time being, all other... more...

CHAPTER I. The kettle sat on the hob, and Mona sat on the floor, both as idle as idle could be. "I will just wait till the kettle begins to sing," thought Mona; and became absorbed in her book again. After a while the kettle, at any rate, seemed to repent of its laziness, for it began to hum softly, and then to hum loudly, and then to sing, but Mona was completely lost in the story she was... more...

PREFACE. HE object of this book is to explain the modern systems of Book and Newspaper Illustration, and especially the methods of drawing for what is commonly called “process,” on which so many artists are now engaged. There is almost a revolution in illustration at the present time, and both old and young—teachers and scholars—are in want of a handbook for reference when turning to the new... more...