THE ART OF WARFARE "The Art of War, like every other art, possesses its theory, its principles; otherwise, it would not be an art."—MARSHAL FOCH. The Art of War, like any other art, is based upon certain fixed principles, and there is no short cut which hurries the student to his goal. The long and laborious line of study is the only safe way, and there are many pitfalls to be avoided on the... more...

A.was Andrews my man, who was A.1. his art in.B.my Buckskins & Boots, ready for me to start in.C.The Cover-Hack, giving my Lord's drag the go by.D.The Slap up Dog-Cart, which the driver you know by.E.was the Earth-stopper, early and willing.F.were the Fox-hounds, so far famed for killing.G.was the Gorse-Cover, certain for foxes.H.were the Hunters, just fresh from their boxes.I.was the... more...

ONE MORE NUMBER. The next issue will close another volume of this paper, and with it several thousand subscriptions will expire. It being an inflexible rule of the publishers to stop sending the paper when the time is up for which subscriptions are prepaid, present subscribers will oblige us by remitting for a renewal without delay, and if they can induce one or more persons to join them in subscribing... more...

Brother, you ask me if I have ever loved. Yes. My story is a strange and terrible one; and though I am sixty-six years of age, I scarcely dare even now to disturb the ashes of that memory. To you I can refuse nothing; but I should not relate such a tale to any less experienced mind. So strange were the circumstances of my story, that I can scarcely believe myself to have ever actually been a party to... more...

Chapter I National Characteristics There is in human affairs a reason for everything we see, although not always reason in everything. It is the part of the historian to seek in the archives of a nation the reasons for the facts of common experience and observation, it is the part of the philosopher to moralize upon antecedent causes and present results. Neither of these positions is taken up by the... more...

BEAUTY AND THE BEAST. There was once a merchant who had been very rich at one time, but who, having had heavy losses, was compelled to retire to a little cottage in the country; where he lived with his three daughters. The two elder ones were very much discontented at their poverty, and were always grumbling and making complaints. But the youngest one, who was called Beauty, and who was as amiable as... more...

CHAPTER I "Impossible, Ned! It can't be as much as that!" "Well, you can prove the additions yourself, Tom, on one of the adding machines. I've been over 'em twice, and get the same result each time. There are the figures. They say figures don't lie, though it doesn't follow that the opposite is true, for those who do not stick closely to the truth do, sometimes,... more...

APOLOGIA "There are two ways of writing a book of travel: to recount the journey itself or the results of it." This is also the case with regard to any work which attempts to purvey topographical or historical information of a nature which is only to be gathered upon the spot; and, when an additional side-light is shown by reason of the inclusion, as in the present instance, of the artistic and... more...

In Macao. A Story from the "Grasshopper's Library." I was seated one pleasant day in the garden, which was given to the city of Macao by the Marcos family, near the grotto sacred to the poet Camoens, when a Portuguese priest came from among the wilderness of flowers and sat beside me. He spoke English with a pleasant accent and we read Bowring's effusion together, as it is engraved on... more...

INTRODUCTION. A word in explanation of this English edition is perhaps not unnecessary. It will be remembered that the arguments in the following pages appeared originally in the columns of Le Siècle, and from the correspondence between M. Yves Guyot and Dr. Kuyper and M. Brunetière (Appendix B), the reader will understand how the publication of Le Siècle articles in pamphlet form arose. In the... more...