INTRODUCTION HOW WE CAME INTO THE GARDEN It was by a strange irony of Fate that we found ourselves reunited for a summer's outing, in a French garden, in July, 1914. With the exception of the Youngster, we had hardly met since the days of our youth. We were a party of unattached people, six men, two women, your humble servant, and the Youngster, who was an outsider. With the exception of the... more...

Benvenuto Cellini tells us that when, in his boyhood, he saw a salamander come out of the fire, his grandfather forthwith gave him a sound beating, that he might the better remember so unique a prodigy. Though perhaps in this case the rod had another application than the autobiographer chooses to disclose, and was intended to fix in the pupil's mind a lesson of veracity rather than of science, the... more...

CHAPTER I A MYSTERIOUS VISITATION "Who's there?" demanded Christy Passford, sitting up in his bed, in the middle of the night, in his room on the second floor of his father's palatial mansion on the Hudson, where the young lieutenant was waiting for a passage to the Gulf. There was no answer to his inquiry. "Who's there?" he repeated in a louder tone. All was as still as... more...

FIRST MEMORY. Childhood has its secrets and its mysteries; but who can tell or who can explain them! We have all roamed through this silent wonder-wood—we have all once opened our eyes in blissful astonishment, as the beautiful reality of life overflowed our souls. We knew not where, or who, we were—the whole world was ours and we were the whole world's. That was an infinite life—without... more...

CHAPTER I So we settled it all when the storm was doneAs comf'y as comf'y could be;And I was to wait in the barn, my dears,Because I was only three;And Teddy would run to the rainbow's foot,Because he was five and a man;And that's how it all began, my dears,And that's how it all began. —Big Barn Stories. 'WHAT do you think she'd do if she caught us? We oughtn't... more...

PROLOGUE At the piano a man sat playing the "Revolutionary Étude" of Chopin. The room was magnificent in its proportions, its furnishings were massive, its paneled oak walls were hung with portraits of men and women in the costumes of a bygone day. Through the lofty windows, the casements of which were open to the evening sky there was a vista of forest and meadow-land stretching interminably... more...

Second Fig   Safe upon the solid rock the ugly houses stand:  Come and see my shining palace built upon the sand! Recuerdo   We were very tired, we were very merry—  We had gone back and forth all night on the ferry.  It was bare and bright, and smelled like a stable—  But we looked into a fire, we leaned across a table,  We lay on a hill-top underneath the moon;  And the whistles... more...

THE TEMPERATURE OF THE EARTH AS SHOWN BY DEEP MINES. At a recent meeting of the American Society of Civil Engineers, observations on the temperature of the earth, as shown by deep mines, were presented by Messrs. Hamilton Smith, Jr., and Edward B Dorsey. Mr. Smith said that the temperature of the earth varies very greatly at different localities and in different geological formations. There are decided... more...

The river ran still and deep, green and gray in the eddies with the warm smell of late summer rising out of the slow water. Madrone and birch and willow, limp in the evening quiet, and the taste of smouldering leaves.... It wasn’t the Russian River. It was the Sacred Iss. The sun had touched the gem-encrusted cliffs by the shores of the Lost Sea of Korus and had vanished, leaving only the stillness... more...

INTRODUCTION Richard Sherry’s A Treatise of Schemes and Tropes (1550), a familiar work of the Renaissance, is primarily thought of as a sixteenth-century English textbook on the figures. Yet it is also a mirror of one variation of rhetoric which came to be called the rhetoric of style. As a representative of this stylistic school, it offers little that is new to the third part of classical rhetoric.... more...