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ACT I SCENE: The library of ASHER PINDAR'S house in Foxon Falls, a New Englandvillage of some three thousand souls, over the destinies of whichthe Pindars for three generations have presided. It is a large,dignified room, built early in the nineteenth century, with whitedoors and gloss woodwork. At the rear of the stage,—which is thefront of the house,—are three high windows with small, square...
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Chapter I The Great War The call from Europe.—Friend against friend.—Why?—Death and devastation.—No private quarrel.—Ordered by government.—What makes government?—The influence of the past.—Four causes of war. Among the bricklayers at work on a building which was being erected in a great American city during the summer of 1914 were two men who had not yet become citizens of the United...
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CHAPTER I PROBLEMS OF THE FUTURE The newspapers have lately been making large quotations from the poems of Mr. Rudyard Kipling. They might, if they had been so minded, have laid under similar contribution the Revelation of St. John the Divine. There, too, with all the imagery usual in Apocalyptic literature, is to be found a description of vague and confused fighting, when most of the Kings of the...
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by:
Roger Casement
INTRODUCTION. The reader must remember that these articles were written before the war began. They are in a sense prophetic and show a remarkable understanding of the conditions which brought about the present great war in Europe. The writer has made European history a life study and his training in the English consular service placed him in a position to secure the facts upon which he bases his...
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by:
Covington Clarke
The New Instructor 1 Tex Yancey, called “The Flying Fool” by his comrades in the –th Pursuit Squadron of the American Expeditionary Force, entered the mess hall with lips pressed into a thin, mirthless grin that seemed entirely inappropriate in one who was thirty minutes late to mess and must therefore make out with what was left. The other members of the squadron had finished their meal and were...
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WAR BRIDES The war brides were cheered with enthusiasm and the churches were crowded when the wedding parties spoke the ceremony in concert.—PRESS CLIPPING. SCENE: A room in a peasant's cottage in a war-ridden country. A large fireplace at the right. Near it a high-backed settle. On the left a heavy oak table and benches. Woven mats on the floor. A door at left leads into a bedroom. In the...
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by:
Arthur Machen
Introduction I have been asked to write an introduction to the story of "The Bowmen", on its publication in book form together with three other tales of similar fashion. And I hesitate. This affair of "The Bowmen" has been such an odd one from first to last, so many queer complications have entered into it, there have been so many and so divers currents and cross-currents of rumour and...
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by:
Bartimeus
CHAPTER I BACK FROM THE LAND Towards eight o'clock the fog that had hung threateningly over the City all the afternoon descended like a pall. It was a mild evening in February, and inside the huge echoing vault of King's Cross station the shaded arc lamps threw little pools of light along the departure platform where the Highland Express stood. The blinds of the carriage windows were already...
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by:
Bernard Shaw
Where Heartbreak House Stands Heartbreak House is not merely the name of the play which follows this preface. It is cultured, leisured Europe before the war. When the play was begun not a shot had been fired; and only the professional diplomatists and the very few amateurs whose hobby is foreign policy even knew that the guns were loaded. A Russian playwright, Tchekov, had produced four fascinating...
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by:
Homer Randall
CHAPTER I THE FLASH FROM THE GUNS "I tell you, Bart, I don't like the looks of things," remarked Frank Sheldon to his chum, Bart Raymond, as the two stood on a corner in the German city of Coblenz on the Rhine. "What's on your mind?" inquired Bart, as he drew the collar of his raincoat more snugly around his neck and turned his back to the sleet-laden wind that was fairly...
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