A PREFACE The aspect of Trafalgar Square, like everything else in the world, depends largely upon how it is viewed, and through whose eyes it is seen. A Japanese artist, for instance, visiting London, immediately selected Trafalgar Square seen by night-time as a subject for a picture. He thoughtfully omitted any suggestion of either omnibuses, taxi-cabs, or the populace. He likewise decided that all... more...

MACHINE TOOLS FOR BOILER-MAKERS. We give this week an engraving of a radial drilling machine designed especially for the use of boiler-makers, this machine, together with the plate bending rolls, forming portion of a plant constructed for Messrs. Beesley and Sons, boiler makers, of Barrow-in-Furness. [Illustration: IMPROVED BOILER PLATERADIAL DRILL.] This radial drill, which is a tool of substantial... more...

THE SALE OF LITTLE HARRY.Come read my book good boys and girlsThat live on freedom's ground,With pleasant homes, and parents dear,And blithesome playmates round;And you will learn a woeful tale,Which a good woman told,About the poor black negro race,How they are bought and sold. Within our own AmericaWhere these bad deeds are done,A father and a mother livedWho had a little son;As slaves, they... more...

PREFACE. After the lapse of about half a century since the issue of the last edition of Dodsley's Select Collection of Old Plays,[1] and the admittance of that work into the honourable rank of scarce and dear books, it seemed a desirable thing to attempt, with such additional improvements as might be practicable or expedient, a revival of a publication which has been a favourite with the lovers of... more...

Dr. Van Dyke's Spiritual Consolation to the Survivors of the Titanic The Titanic, greatest of ships, has gone to her ocean grave. What has she left behind her? Think clearly. She has left debts. Vast sums of money have been lost. Some of them are covered by insurance which will be paid. The rest is gone. All wealth is insecure. She has left lessons. The risk of running the northern course when it... more...

ACTVS PRIMVS. Enter the GHOAST OF ANDREA, and with him REUENGE. GHOAST. When this eternall substance of my souleDid liue imprisond in my wanton flesh,Ech in their function seruing others need,I was a courtier in the Spanish court:My name was Don Andrea; my discent,Though not ignoble, yet inferiour farTo gratious fortunes of my tender youth,For there, in prime and pride of all my yeeres,By duteous... more...

Sometimes getting a job is harder than the job after you get it—and sometimes getting out of a job is harder than either! The symphony was ending, the final triumphant pæan soaring up and up, beyond the limit of audibility. For a moment, after the last notes had gone away, Paul sat motionless, as though some part of him had followed. Then he roused himself and finished his coffee and cigarette,... more...

THE INN-YARDS BEFORE the building of regular playhouses the itinerant troupes of actors were accustomed, except when received into private homes, to give their performances in any place that chance provided, such as open street-squares, barns, town-halls, moot-courts, schoolhouses, churches, and—most frequently of all, perhaps—the yards of inns. These yards, especially those of carriers' inns,... more...

The Dome of Eyes made it almost impossible for Terrans to reach the world of Tepokt. For those who did land there, there was no returning—only the bitterness of respect—and justice! The Tepoktan student, whose blue robe in George Kinton's opinion clashed with the dull purple of his scales, twiddled a three-clawed hand for attention. Kinton nodded to him from his place on the dais before the... more...

Scene I. A Little Moorish Room in the Village of Azubia.In the centre of the room a chafing dish. Mosada. [alone] Three times the roses have grown less and less,As slowly Autumn climbed the golden throneWhere sat old Summer fading into song,And thrice the peaches flushed upon the walls,And thrice the corn around the sickles flamed,Since 'mong my people, tented on the hills,He stood a messenger. In... more...