THE FLUTTER OF THE GOLDLEAF Scene: Laboratory in the attic of the Warner cottage. At right, toward rear, entrance from down-stairs. A rude partition, left, with door in centre. Window centre rear. Large kitchen table loaded with apparatus. Shelves, similarly loaded, against wall near table, right. Wires strung about. A rude couch, bench, and several wooden chairs. Time, about 8 p.m. Lamp burns on... more...

THE ADVENTURE ON THE SANDS. I came upon the place quite unexpectedly. Centuries of wind and wave had carved a little nook out of the foot of the cliff and fashioned it so cunningly that I did not see it until I was right on top of it. After the warmth of the open beach and the glare of the white road I had recently travelled its shade looked so inviting that I limped in under the overhang of the cliff... more...

PART ONE: "ALL'S WELL!" GOD IS       God is;      God sees;      God loves;      God knows.    And Right is Right;    And Right is Might.  In the full ripeness of His Time,  All these His vast prepotencies  Shall round their grace-work to the prime  Of full accomplishment,  And we shall see the plan sublime  Of His beneficent intent.  Live on... more...

Chapter I The Sociology of the Chinese In spite of much research and conjecture, the origin of the Chinese people remains undetermined. We do not know who they were nor whence they came. Such evidence as there is points to their immigration from elsewhere; the Chinese themselves have a tradition of a Western origin. The first picture we have of their actual history shows us, not a people behaving as if... more...

INTRODUCTION The first two or three of these "plays" (I retain the word for lack of a better one) began themselves as short stories, but in each case I found that the dramatic element, speech, tended to absorb the impersonal element of comment and description, so that it proved easier to go on by allowing the characters to establish the situation themselves. As I grew conscious of this... more...

INTRODUCTION The reasons for binding the leaves of a book are to keep them together in their proper order, and to protect them. That bindings can be made, that will adequately protect books, can be seen from the large number of fifteenth and sixteenth century bindings now existing on books still in excellent condition. That bindings are made, that fail to protect books, may be seen by visiting any... more...

My Stay at Paris and My Departure for Strasburg, Where I Find theRenaud—My Misfortunes at Munich and My Sad Visit to Augsburg At ten o'clock in the morning, cheered by the pleasant feeling of being once more in that Paris which is so imperfect, but which is the only true town in the world, I called on my dear Madame d'Urfe, who received me with open arms. She told me that the young Count... more...

Chapter One The girl stood on a bank above a river flowing north. At her back crouched a dozen clean whitewashed buildings. Before her in interminable journey, day after day, league on league into remoteness, stretched the stern Northern wilderness, untrodden save by the trappers, the Indians, and the beasts. Close about the little settlement crept the balsams and spruce, the birch and poplar, behind... more...

CRITICAL NOTICES. "Such a novel as no English author with whom we are acquainted could have written, and no American author except Hawthorne. What separates it from the multitude of American and English novels is the perfection of its plot, and it's author's insight into the souls of his characters.... If Germany is poorer than England, as regards the number of its novelists, it in richer... more...

From even the greatest of horrors irony is seldom absent. Sometimes it enters directly into the composition of the events, while sometimes it relates only to their fortuitous position among persons and places. The latter sort is splendidly exemplified by a case in the ancient city of Providence, where in the late forties Edgar Allan Poe used to sojourn often during his unsuccessful wooing of the gifted... more...